King Baby Duck here, making his first post as an official brother of the Electric Sista Hood (meaning my Blogger account is now linked with the site)! This week's Anime Calamity is not a TV show, but rather a movie that caught my eye. It's called "Kappa no Coo to Natsuyasumi," or "Summer Days with Coo."
A young kappa (a Japanese mythological water creature) witnesses his father murdered by a samurai, and then falls down a hole made by an earthquake. Almost three hundred years later a young elementary school student named Koichi finds the kappa fossilized in a stone. After bringing it home and washing it, the kappa comes back to life. Koichi gives the kappa the name Coo, which is one of the first things the little creature says. Coo adjusts to the lifestyle of Koichi and his family, and quickly becomes a member. However, the changed outside world makes Coo worried about his other kappa comrades. Koichi and Coo set out for the countryside to find more kappas, but to no avail. However, when Coo’s existence becomes apparent to the public, he comes face-to-face with the challenges of the outside world; which leads to Coo meeting with an ancestor of his father’s murderer. What the ancestor has in his possession freaks Coo out, and his actions lead the outside world to think that he is a danger. Will there be a happily-ever-after with Coo, or will he have to face the fact that he will never be accepted into today’s society? And what of his kappa comrades? Are they still alive, or have they disappeared with much of the nature?
The first thing I thought of after watching this film was how wonderful the storytelling is. The tale flows gracefully, even at its almost 2 ½ hour timeframe. Although a fantasy (despite many incidents of kappa being seen in Japan) the anime has a real feel to it. It has a lot of emotion, and it also teaches a lesson about not just fitting into society, but also about how nature must be preserved. Plus the humor in the film is top-notched, especially when it deals with Koichi’s little sister. She is the most realistic of the characters, with the jealous brat thing down to patch. One scene that pops into mind is when the sister brings home pet snails, which Coo eats; thinking they are food. This freaks the little girl out; especially when she discovers that some people eat snails, too, leading her to inspect every morsel of food on her plate to make sure she’s not eating little escargots. The soundtrack to the film, composed by Kei Wakakusa, almost sounds like a score written by top American country artists. Whether that is a good thing or a bad thing depends on your taste in country music. Finally, the animation is also really good, almost up there with the quality of Miyazaki films. Its director, Keiichi Hara, who also directed some of the “Doraemon” and “Crayon Shin-chan” movies, knows how to appeal to both kids and adults of all ages, and this film will surely entertain anyone; even with its long running time.
Now speaking for the kids, in Japan this is considered a family film; but because our standards here are a lot more strict than Japan’s it wouldn’t be for younger children. There’s a lot of blood in the first couple minutes of the film, and the scenes dealing with death might be too traumatic for children. Plus, you see Coo’s yarbles throughout the entire film; which, in a country where the mindset is “nudity is bad!!!” might leave parents uneasy. However if parents can look past the violence and kappa nudity, kids will be able to learn a valuable message from this film. I’d say this film should be PG here; but if your younger kids (who are, like, four or five) are okay with a little blood then I’d say they can watch it, too.
Since this is a movie review, I’m going to give it a star grade: 5 stars. It’s a wonderful tale that the folks at Disney should really look at to see how to properly do a family movie that is for anyone in the family, and not just the young tykes.
This is King Baby Duck: Ain't born to lose, baby! I'm born to win! I'm so Goddamn slick, baby, it's a sin!
A young kappa (a Japanese mythological water creature) witnesses his father murdered by a samurai, and then falls down a hole made by an earthquake. Almost three hundred years later a young elementary school student named Koichi finds the kappa fossilized in a stone. After bringing it home and washing it, the kappa comes back to life. Koichi gives the kappa the name Coo, which is one of the first things the little creature says. Coo adjusts to the lifestyle of Koichi and his family, and quickly becomes a member. However, the changed outside world makes Coo worried about his other kappa comrades. Koichi and Coo set out for the countryside to find more kappas, but to no avail. However, when Coo’s existence becomes apparent to the public, he comes face-to-face with the challenges of the outside world; which leads to Coo meeting with an ancestor of his father’s murderer. What the ancestor has in his possession freaks Coo out, and his actions lead the outside world to think that he is a danger. Will there be a happily-ever-after with Coo, or will he have to face the fact that he will never be accepted into today’s society? And what of his kappa comrades? Are they still alive, or have they disappeared with much of the nature?
The first thing I thought of after watching this film was how wonderful the storytelling is. The tale flows gracefully, even at its almost 2 ½ hour timeframe. Although a fantasy (despite many incidents of kappa being seen in Japan) the anime has a real feel to it. It has a lot of emotion, and it also teaches a lesson about not just fitting into society, but also about how nature must be preserved. Plus the humor in the film is top-notched, especially when it deals with Koichi’s little sister. She is the most realistic of the characters, with the jealous brat thing down to patch. One scene that pops into mind is when the sister brings home pet snails, which Coo eats; thinking they are food. This freaks the little girl out; especially when she discovers that some people eat snails, too, leading her to inspect every morsel of food on her plate to make sure she’s not eating little escargots. The soundtrack to the film, composed by Kei Wakakusa, almost sounds like a score written by top American country artists. Whether that is a good thing or a bad thing depends on your taste in country music. Finally, the animation is also really good, almost up there with the quality of Miyazaki films. Its director, Keiichi Hara, who also directed some of the “Doraemon” and “Crayon Shin-chan” movies, knows how to appeal to both kids and adults of all ages, and this film will surely entertain anyone; even with its long running time.
Now speaking for the kids, in Japan this is considered a family film; but because our standards here are a lot more strict than Japan’s it wouldn’t be for younger children. There’s a lot of blood in the first couple minutes of the film, and the scenes dealing with death might be too traumatic for children. Plus, you see Coo’s yarbles throughout the entire film; which, in a country where the mindset is “nudity is bad!!!” might leave parents uneasy. However if parents can look past the violence and kappa nudity, kids will be able to learn a valuable message from this film. I’d say this film should be PG here; but if your younger kids (who are, like, four or five) are okay with a little blood then I’d say they can watch it, too.
Since this is a movie review, I’m going to give it a star grade: 5 stars. It’s a wonderful tale that the folks at Disney should really look at to see how to properly do a family movie that is for anyone in the family, and not just the young tykes.
This is King Baby Duck: Ain't born to lose, baby! I'm born to win! I'm so Goddamn slick, baby, it's a sin!
Labels: Anime, Anime Calamity, Coo, kappa, Kappa no Coo to Natsuyasumi, King Baby Duck, movie review, Summer Days With Coo
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