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    King Baby Duck's Live Review: Kalafina at Anime Boston 2009

    posted @ 5/26/2009 07:40:00 PM by King Baby Duck

    Making their American debut at the Hynes Convention Center this past Saturday (during Anime Boston 2009), the female vocal trio that makes up Kalafina performed a 60-minute set that included beautiful visuals and a wonderful light show backing the women. However, the use of pre-recorded music instead of a live backing band showed that this new group still was nowhere near flawless.

    Founded in 2007 by composer Yuki Kajiura (one-half of the popular duo See-Saw), Kalafina consisted of vocalists Wakana, Keiko and Hikaru; who seemed very happy to be performing for the American crowd. Throughout the show the trio sang and danced to their hearts’ content, though at times when they weren’t singing they stood idly waiting for their time to perform. Think of how a puppeteer would use many of his wooden friends during a show, but can only use two at a time; so one would sit motionless until their lines are given. In some moments it was very reminiscent of that.

    That’s not to say that Kalafina is a bad group; far from it. These ladies of the Orient had wonderful voices that shined even better than what can be heard on their debut album “Seventh Heaven.” Their opening song “oblivious” (their first hit single in Japan) was the ideal choice to introduce Kalafina to those unfamiliar with the group as it showcased the multiple vocal ranges of the three ladies. Songs such as “love come down” and “Mata Kaze ga Tsuyokunatta” (translated as “The Wind Becomes Strong Again”) rely heavily on loud techno thumps and ear-piercing guitar solos. Even though the crowd got into it, the fact that there wasn’t anything backing Kalafina besides the visuals made it difficult at times to feel any sort of a true live experience. The only time they were backed by an instrument was during the encore, when Kajiura came out to play the keyboard while the ladies sang “Kimi ga Hikari ni Kaete Iku” (You Turn It Into Light”) and “gloria”, two soft songs that helped close the concert on a beautiful note. Having said that, the show lacked a bit of appeal.

    If only Kalafina had enlisted the help of Boston’s Video Game Orchestra, the opening band, they could have compensated their inactivity with an electrifying backing band. Unfortunately, this was not the case, and because of that Kalafina showed that they still need help when it comes to fully entertaining a crowd.

    This is King Baby Duck: Ain't born to lose, baby, I'm born to win! I'm so Goddamn slick, baby, it's a sin!

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    King Baby Duck's Live Review: Japan Nite '09

    posted @ 3/31/2009 02:36:00 PM by King Baby Duck

    Whenever Japan Nite rolls into town, it feels like another Christmas; and this time I got some great presents! Held every year at T.T. the Bear's (this year on March 23), this year's Japan Nite (presented by BENTEN Label and SXSW Asia) had a wide variety of bands. FLiP, Omodaka, Sparta Locals, SA, detroit7 and the Emeralds.

    Opening up the show with a great set was FLiP, who performed all the songs from their debut mini-album "Hahakara Umareta Hinekure no Uta," as well as a lively cover of the Cranberries song "Salvation." Watching lead singer/guitarist Sachiko onstage was like witnessing a female version of a young Kurt Cobain. I'm expecting a lot of good things in the future for this band.

    母から生まれた捻くれの唄


    Next up was the oddest one of the bunch: Omodaka. Wearing a Shinto priestess's gown and a white mask, Omodaka (whose real name is Soichi Terada) performed his entire set using a Game Boy Color, a Nintendo DS, a PSP, a synthesizer and a TV screen showing random images. Despite his weird appearance, the beats he would conjure up were worthy enough for a much bigger setting than the small Cambridge club. Let's hope he gets a gig opening for Daft Punk soon.



    The band everyone was waiting for, Sparta Lo--

    Okay, that was weird. Anyways, Sparta Locals came on next. I've heard many things about this band for the past few years, but it was only a week before when I first had a chance to listen to them. That being said, their live set was spectacular and energetic. Great energy, fun songs, and definitely worth the press and fanbase that they have accumulated these past 11 years.



    Charging into battle next was SA (Samurai Attack), whose style was like a blend of Dropkick Murphys and the Clash. The leader singer was like a Japanese Al Barr, and about half the floor became a mosh pit. The crowd was chanting their name like crazy and singing along; even though most people couldn't understand what they were saying. They earned the ESH/B3 award for "Most Charismatic Live Act" that night.



    detroit7 was a band I've been waiting all year to see live. They were at the event last year, but I missed them because they went on while I was interviewing Ketchup mania. (I also interviewed this band last year, and will one day post their interview on either ESH or B3 in the near-future.) Tomomi was awesome on guitars and vocals; Miyoko was a powerhouse on the drums; and Nobuaki was a monster on the bass. I’ve been in love with this band since I first got into Japanese music; and seeing them live was simply a sight I will never forget.



    Finally, the Godfathers of Japan Nite closed the show: The Emeralds. Though half of the crowd left after Detroit7, they still rocked on and off-stage. I got onstage at the end and danced my ass off with the band. I'm really hoping that more people get a chance to see this band, as they're truly one of the best acts to see live and in person.



    This was truly a memorable night, and one of the best Japan Nite shows in recent memory; perhaps since the year Stance Punks and Ellegarden rocked it in 2006. Much of the credit for this event goes to Benten Label founder Audrey Kimura. Every year she manages to find great acts that everyone seems to love. Each year the tour gets bigger and bigger, and I'm hoping that one day soon this small club tour can evolve into an arena tour. (I'm crossing my fingers that next year we'll see bands like monobright and chatmonchy on the roster.)

    This is King Baby Duck: "Ain't born to lose, baby, I'm born to win. I'm so Goddamn slick, baby, it's a sin!"


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    King Baby Duck's Live Review - Dir en grey: Boston - November 12, 2008

    posted @ 11/13/2008 06:29:00 PM by King Baby Duck

    To fully understand what Dir en grey is about, you need to see them live. I did just that last night at Boston's Wilbur Theatre, along with my Boston Bastard Brigade cohost Pink Taco.

    We got there 15 minutes late, but all we missed was the first couple songs by DeG's opening act the Human Abstract. They were good, but they were a little bit too strobe light happy. Anyone with Epilepsy going to this show would've probably been hospitalized with the first 3 minutes of what I saw.

    After setting up, Dir en grey finally emerged from the darkness. Kyo arrived and stood on his pedestal. No "Hello Boston," no wave to the crowd; just an evil stare towards the screaming fans (mostly from the women). From their first track ("Obscure") to their last ("The IIID Empire") Dir en grey was at their A-game. Kyo's vocals were at full force, screaming from the top of his lungs and singing his heart out. This was best heard in the unplugged version of "Aggitated Screams of Maggot" (which they also played plugged), "Merciless Cult" and "Dozing Green."

    Dir en grey - "Merciless Cult" [Live]


    The show was filled with surprise tracks, with the band digging through songs that have never even been released in the States yet (such as "Obscure" and "The IIID Empire"). Hopefully, if demand is high enough, we will see Dir en grey's earlier work being released in America. Some of the set introduced new tracks from their recently released "Uroborous," with "Glass Skin" and "Toguro" sounding just as loud and nasty as they do on the CD.

    Guitarist Die and bassist Toshiya were having a ball on stage, eating up all the audience's applause and screams; while Kaoru played to the far-right of the stage for the most part until the end. Drummer Shinya proved that he is one of Asia's top drummers, smashing and bashing his way on a drum kit with so many cymbals that it could almost make Dream Theater envious. Kyo, the center of everyone's attention, was a wonder to watch; from his dancing to his five-minute acoustic screaming (yes, acoustic screaming). One may wonder if he'll ruin his vocal chords again, as he did in '06. (He is also partially deaf in his left ear.) He only spoke to the audience once (to introduce "Saku"), but perhaps as a theatrical rocker he did not want to break the fourth wall too much. The fans didn't mind, and I didn't mind either. (I was also shocked that Kyo didn't do his trademark self-mutilation. Maybe he didn't have enough fake blood that night. At least I think it's fake...)

    Dir en grey - "Agitated Screams of Maggot" [Live]


    Although not the greatest show I've ever been to, Dir en grey put on a memorable and entertaining concert that everyone who was there will remember for years to come. (Pink Taco thought they were "pretty good" too.)

    Setlist:
    1. Obscure
    2. Grief
    3. Agitated Screams of Maggots
    4. Disabled Complexes
    5. The Fatal Believer
    6. 蜷局 (Toguro)
    7. 艶かしき安息、躊躇いに微笑み (Namamekashiki Ansoku, Tomadoi ni Hohoemi)
    8. Agitated Screams of Maggots -unplugged-
    9. Conceived Sorrow
    10. Glass Skin
    11. 凌辱の雨 (Ryoujoku no Ame)
    -acapella-
    12. Hydra -666-
    13. Merciless Cult
    14. The Deeper Vileness
    15. Dozing Green
    16. Repetition of Hatred

    Encore:
    1. 鼓動 (Kodou)
    2. 凱歌、沈黙が眠る頃) (Gaika, Chinmoku Ga Nemuru Koro)
    3. Clever Sleazoid
    4. 朔 (Saku)
    5. The IIID Empire

    Dir en grey's new album "Uroboros" is now in stores, and will be continuing to tour America through December 5. Check the dates below and go as if your life depends on it!

    11/16 - Kool Haus - Toronto, ON
    11/18 - Clutch Cargo's - Pontiac, MI
    11/19 - House of Blues - Chicago, IL
    11/20 - First Avenue - Minneapolis, MN
    11/22 - The Eagles Club - Milwaukee, WI
    11/23 - Pop's - Sauget, IL
    11/25 - House of Blues - Houston, TX
    11/26 - Palladium Ballroom - Dallas, TX
    11/28 - Marquee Theatre - Tempe, AZ
    11/29 - The Wiltern LG - Los Angeles, CA
    11/30 - Warfield Theatre - San Francisco, CA
    12/2 - Hawthorne Theatre - Portland, OR
    12/3 - The Showbox - Seattle, WA
    12/5 - Gothic Theatre - Englewood, CO

    This is King Baby Duck: "Ain't born to lose, baby, I'm born to win! I'm so Goddamn slick, baby, it's a sin."

    ----------------
    Now playing: Dir en grey - CLEVER SLEAZOID
    via FoxyTunes

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