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    King Baby Duck's One-on-One: Electric Eel Shock

    posted @ 4/16/2009 01:48:00 PM by King Baby Duck

    When it comes to Japanese metal, no band shines more than Electric Eel Shock. Their heavy guitar riffs mixed in with vibrating bass and smashing drums -- along with their crazy stage antics -- make them one act everyone needs to check out. I had a chance to ask a few questions to the band via email as they were getting ready to finish the new album. (WARNING: PICTURE OF NAKED DRUMMER BELOW!!!)

    You’ve played sold-out shows all over the globe, headlined many rock and metal festivals, and have probably one of the most solid fanbases of any musical act out there. Did you ever think that eleven years ago, when the band first began, that you’d all reach the heights of popularity that you have right now?

    No, never. Even we have not thought we will be on tour outside of Japan when this band began. We are really glad there are so many people supporting us!

    The band originally started out with 11 members (with a horn section, a keyboardist and female backing vocals). At what point did you realize that Electric Eel Shock would work out better as a trio? Did you ever think about bringing back the rest of the original members for a song or two?

    When the band began, it was not actually a “band”. Aki and Kazuto were the original members and all other members were kind of session members. We corrected the other members for each show. So we never play with the same members in each show. And 1 year later, we can not keep going with so many members. All members have gone without Aki, Kazuto and Gian. So we have not had any choice with playing as a trio band.


    In the song “Heavy Metal Vagabond” (from 1999’s “Slayers Bay Blues”) Aki says that he does not like Japanese metal. Why was that, and has his feelings changed about the genre (in metal and even visual-kei)?

    Aki likes bad taste side of Japanese 80’s heavy metal. But he didn’t find something deep flavor about Japanese Metal… He found more interesting things in the music of Black Sabbath or Metallica. His feeling hasn’t changed by the new age of Japanese metal and visual-kei…

    How do you feel about the current Japanese music scene? Do you think more people in Japan are tuning into more indie/heavy-styled bands (i.e.: you, Ling Tosite Sigure, GING NANG BOYZ, BORIS, The50Kaitenz, Maximum the Hormone), or do you think the majority still look at the idols for their musical thirst (such as Johnny’s Entertainment, Morning Musume, Hey! Say! Jump)?

    I don’t know anything about the Japanese music scene. I don’t have any interest with Japanese pop music. I wanna rock!!


    As a lot of people know Gian wears nothing but a cock sock on stage, which is done in respect to the Red Hot Chili Peppers. However many of your peers believe that Gian has perfected the sock-wearing technique, making him the true king of the trademark. Do you agree/disagree, and why?

    I agree. Because he keeps his style longer than RHCP!!!

    Where is your favorite country to play in? Your least favorite?

    I cannot say only one country. Every country we’ve been has good point for us! But I would like to be back in the USA because we have not been back over in 2 years!!!

    You got a Special Thanks mention in The Go! Team’s album “Proof of Youth.” What is the relationship between you two very different but equally great bands?

    Kaori, who is the guitarist, is our old friend. And they are always coming to see our London show. Nice guys! And I also like their music. I like happy songs like them! I really hope to play with them one day.

    For a few years now we’ve been hearing about “Sex, Drugs and Email,” a documentary about Electric Eel Shock’s rise to fame. Will it ever see the light of day?

    It is still under construction…I really hope we will be able to release it this year…

    I heard somewhere that Aki was going to be the original singing voice for Krauser II in the hit movie “Detroit Metal City.” How did this opportunity come about and, dare I ask, why’d it not come to be?

    Why do you know that?? The thing was coming from Sony Japan. They had an audition for that, but they could not find good voice and somebody recommended Aki. But their choice was other guy because EES joined their compilation album…it doesn’t make sense for me.

    You’ve been known to do some great covers (Black Sabbath’s “Iron Man,” 44 Magnum’s “No Standing Still,” AC/DC’s “Back in Black,” Minnie Riperton’s “Lovin’ You”). What is one song that you’d like to cover but still haven’t had the chance to?

    Heavy metal version of "La Bamba!" Or Lizzy Borden’s “Give ‘Em The Axe” I don’t know why, I may love bad taste.


    You’re currently in Okinawa recording your latest album, which is being spent on with money raised by your fans on SellABand. What made you choose the most southern island of Japan instead of Bauhaws Studios in Amsterdam?

    There are several reasons for that. One reason is Gian cannot go out of Japan for a long time. And one reason is that is a resort island and that is where in Japan we can relax! And one more reason is the studio gave us a discount!!

    How do you feel the recording process has been compared to years past?

    Almost finish. Only mix down is left. We are waiting for our mix engineer to be free.

    Does recording help or hinder Aki’s fishing habits? If you don’t mind revealing, what are some good fishing tips our readers can use to make a bigger catch?

    Aki loves fishing, Aki hates recording. He is crazy to fish; he wouldn’t mind dying for fishing… He doesn’t sleep, he always bring his fishing pole on tour. He says “Use Gary Yamamoto’s plastic baits, if you want to catch more.” Because he has a sponsorship with them…

    What can fans of Electric Eel Shock expect of the new album?

    Next one is our 5th or 6th album… Even we can’t count it clearly. Most bands starts to get bored and feel bored themselves from 5th to 6th album… But we never! We are still enjoying it! Because we have 2 sides of EES. One side of EES is keep changing and updating our music style. We are a chameleon, we play funky, jazzy, poppy and of course heavy metal same time. The other side of EES that never changes is the core of our music. We keep making something funny, stupid, lovely but also interesting and sharp. We love EES more than our fans! I think next album has perfect balance of both side of EES. So you will enjoy the new EES sound in the basic EES world.

    Do you have a special message for your American fans?

    Yes, we will be back to US finally this summer!! We will announce soon, just wait and see!


    My thanks to Electric Eel Shock for taking time off from the studio to ask these questions. Look out for their new album later this year, as well as a US tour!

    This is King Baby Duck: Doing the Metal and Killing the Blues with Rock 'N' Roll!

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    King Baby Duck's Best Ten - J-POP Albums of 2008

    posted @ 12/27/2008 02:57:00 PM by King Baby Duck
    It was an interesting year, to say the least, in the J-POP world. Let's take a look at the top Japanese albums that have made my list.

    10. Pistol Valve - RATATATTAT!
    This monster of an all-girl ska band released their long-awaited full-length CD this year, and it shows how much work these women put into their album. You might not be able to stand still during such ditties as "Please Mr. Policeman" and "My Best One," and with its ability to mix ska with techno as heard in "YES or NO" you can't help but to get up and dance.

    9. Zazen Boys - Zazen Boys 4
    From the Matsuri Studio comes Zazen Boys' fourth release, produced by the wonderful Dave Fridmann (The Flaming Lips, Weezer). More experimental than their last releases (and a bit funkier, too), frontman Mukai Shutoku (formerly of Number Girl) makes it his and the band's mission to make the listeners feel groovy, thanks in part to such tracks as "Idiot Funk" and "The Drifting/I Don't Wanna Be With You." Though not an album for everyone "Zazen Boys 4" is a fun CD that will put many smiles on all the indie boys and girls.

    8. BORIS - Smile
    The masters of Japanese hardcore metal return with one of their strongest albums yet. With tracks like "Buzz-In" and "Laser Beam" it's a wonder why more metal acts haven't toured with them. (Thankfully, Trent Reznor had them open for his band Nine Inch Nails this past autumn.)

    7. Dir en grey - UROBOROS
    Dir en grey just keeps getting better and better with each album, and "UROBOROS" proves to be their best album. From its opening "Sar Bir" and "Vinushka" to "Stuck Man" and "Bugaboo" Dir en grey shows off some of the most darkest sounds to come out of your stereo since Bauhaus released "Bela Lugosi's Dead."

    6. TsuShiMaMiRe - TsuShiMaMiRe to Rock to Beer de
    From their raw opening "Mi Kara Deta Sabi" to its mixture of pop rock and psychedelic alternative in "Atarashii Sekai No Yoake Ha Toriaezu Rock to Beer De" the all-girl punk trio from Chiba once again prove to the world that not only can girls rock, but they can also do it a lot better than them. Also listen to "Sakuran Boy," one of the best tracks to come out of Japan this year.

    5. shing02 – Waikyoku
    Japan’s best solo rapper finally released this album after six years in the making, and it shows why it took so long. Great storytelling in “Bijou,” amazing beats in “Nagasume” and a wonderful blend of jazz and hip-hop make this album a strong contender for best rap album of ’08.

    4. the pillows – PIED PIPER
    Sawao Yamanaka and company finally made an album that is about worthy of placing it amongst their “Golden Four” albums of the late 90s. I think now’s the time that the rest of the world (and not just otaku) should be known about the pillows.

    3. Soil & “Pimp” Sessions – Planet Pimp
    Last year this band’s “Pimpoint” was #1 on my J-POP album list of ’07. This year they appear again at #3 with this album, which still shows why they are the best jazz band on the planet. It’s exciting, fun and danceable for all ages.

    2. TRICERATOPS - MADE IN LOVE
    I recently discovered this band this past year, and fell in love with their style. Their album “Made in Love” sometimes feels like a Japanese Oasis, while other times it sounds like a great blend of techno and Red Hot Chili Peppers.

    1. SUEMITSU & THE SUEMITH - Shock on the Piano
    Billy Joel, Elton John, John Legend, and even Ben Folds should be watching their backs. SUEMITSU is about to come from behind to remind them of what real piano rock is. This album is an amazing accomplishment that both classical and rock enthusiasts can sit down and enjoy listening to.

    This is King Baby Duck: "Ain't born to lose, baby, I'm born to win! I'm so Goddamn slick, baby, it's a sin!"

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    King Baby Duck's Live Review - Dir en grey: Boston - November 12, 2008

    posted @ 11/13/2008 06:29:00 PM by King Baby Duck

    To fully understand what Dir en grey is about, you need to see them live. I did just that last night at Boston's Wilbur Theatre, along with my Boston Bastard Brigade cohost Pink Taco.

    We got there 15 minutes late, but all we missed was the first couple songs by DeG's opening act the Human Abstract. They were good, but they were a little bit too strobe light happy. Anyone with Epilepsy going to this show would've probably been hospitalized with the first 3 minutes of what I saw.

    After setting up, Dir en grey finally emerged from the darkness. Kyo arrived and stood on his pedestal. No "Hello Boston," no wave to the crowd; just an evil stare towards the screaming fans (mostly from the women). From their first track ("Obscure") to their last ("The IIID Empire") Dir en grey was at their A-game. Kyo's vocals were at full force, screaming from the top of his lungs and singing his heart out. This was best heard in the unplugged version of "Aggitated Screams of Maggot" (which they also played plugged), "Merciless Cult" and "Dozing Green."

    Dir en grey - "Merciless Cult" [Live]


    The show was filled with surprise tracks, with the band digging through songs that have never even been released in the States yet (such as "Obscure" and "The IIID Empire"). Hopefully, if demand is high enough, we will see Dir en grey's earlier work being released in America. Some of the set introduced new tracks from their recently released "Uroborous," with "Glass Skin" and "Toguro" sounding just as loud and nasty as they do on the CD.

    Guitarist Die and bassist Toshiya were having a ball on stage, eating up all the audience's applause and screams; while Kaoru played to the far-right of the stage for the most part until the end. Drummer Shinya proved that he is one of Asia's top drummers, smashing and bashing his way on a drum kit with so many cymbals that it could almost make Dream Theater envious. Kyo, the center of everyone's attention, was a wonder to watch; from his dancing to his five-minute acoustic screaming (yes, acoustic screaming). One may wonder if he'll ruin his vocal chords again, as he did in '06. (He is also partially deaf in his left ear.) He only spoke to the audience once (to introduce "Saku"), but perhaps as a theatrical rocker he did not want to break the fourth wall too much. The fans didn't mind, and I didn't mind either. (I was also shocked that Kyo didn't do his trademark self-mutilation. Maybe he didn't have enough fake blood that night. At least I think it's fake...)

    Dir en grey - "Agitated Screams of Maggot" [Live]


    Although not the greatest show I've ever been to, Dir en grey put on a memorable and entertaining concert that everyone who was there will remember for years to come. (Pink Taco thought they were "pretty good" too.)

    Setlist:
    1. Obscure
    2. Grief
    3. Agitated Screams of Maggots
    4. Disabled Complexes
    5. The Fatal Believer
    6. 蜷局 (Toguro)
    7. 艶かしき安息、躊躇いに微笑み (Namamekashiki Ansoku, Tomadoi ni Hohoemi)
    8. Agitated Screams of Maggots -unplugged-
    9. Conceived Sorrow
    10. Glass Skin
    11. 凌辱の雨 (Ryoujoku no Ame)
    -acapella-
    12. Hydra -666-
    13. Merciless Cult
    14. The Deeper Vileness
    15. Dozing Green
    16. Repetition of Hatred

    Encore:
    1. 鼓動 (Kodou)
    2. 凱歌、沈黙が眠る頃) (Gaika, Chinmoku Ga Nemuru Koro)
    3. Clever Sleazoid
    4. 朔 (Saku)
    5. The IIID Empire

    Dir en grey's new album "Uroboros" is now in stores, and will be continuing to tour America through December 5. Check the dates below and go as if your life depends on it!

    11/16 - Kool Haus - Toronto, ON
    11/18 - Clutch Cargo's - Pontiac, MI
    11/19 - House of Blues - Chicago, IL
    11/20 - First Avenue - Minneapolis, MN
    11/22 - The Eagles Club - Milwaukee, WI
    11/23 - Pop's - Sauget, IL
    11/25 - House of Blues - Houston, TX
    11/26 - Palladium Ballroom - Dallas, TX
    11/28 - Marquee Theatre - Tempe, AZ
    11/29 - The Wiltern LG - Los Angeles, CA
    11/30 - Warfield Theatre - San Francisco, CA
    12/2 - Hawthorne Theatre - Portland, OR
    12/3 - The Showbox - Seattle, WA
    12/5 - Gothic Theatre - Englewood, CO

    This is King Baby Duck: "Ain't born to lose, baby, I'm born to win! I'm so Goddamn slick, baby, it's a sin."

    ----------------
    Now playing: Dir en grey - CLEVER SLEAZOID
    via FoxyTunes

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    Finish what you start...