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Join sisters NinJaSistah and Pandalicious and the rest of the ESH Crew each day as they discuss video games, tech gadgets, anime, manga... pretty much everything within the geek chic lifestyle.

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    Hirano's "Speed*Star" Lacks a Big Bang

    posted @ 2/07/2010 11:04:00 AM by King Baby Duck

    When it comes to seiyuu releasing music, it's usually a flip of a coin. Sometimes it's surprising good (Minori Chihara, Megumi Hayashibara), and some are embarrassingly bad (Yuko Goto, Rie Kugimiya). When it comes to Aya Hirano, though, it's the luck of a draw. Her last album Riot Girl surprised a lot of listeners with its Avril Lavigne-like sound and upbeat tone. Unfortunately with Speed*Star, while the happy feeling is still there the originality is sadly lacking.

    The two best songs practically bookend the album (not counting the "stereotype" intro): "Super Driver" and "Unnamed World." While both songs were theme songs to anime series (the former belonging to The Melancholy of Haruhi Suzumiya, the latter to The Daughter of Twenty Faces) they certainly stand alone pretty well. "Super Driver" is fast-paced with good guitar riffs and is up to par with some of Riot Girl's best tracks; but the drummer appears to be a bit too snare-happy. "Unnamed World," however, is probably Aya's most strongest track, and while the broken English is spread variously the message of the song is clear.

    In-between these two great songs is a mixed bag. While "Sing a Song" and "OH! My Darling" have some sort of life to them, their novelty wears off quickly. It's not that they're bad tracks, but rather it just sounds like Hirano wasn't really feeling these songs when she was recording them. The same can be said for "Set me free" and "VOXX." It's as if she was more forced into recording these tracks instead of letting her do her own thing, which is a problem a lot of seiyuu face when recording an album. However within this bitter taste are a couple of sweet tracks in the form of "Mizu Tamari" and "Ano Hana no You ni," which are both able to showcase the timid and soft nature of Hirano's voice.

    While Aya is trying her best in this sort of poppy genre, it's just doesn't seem to fit with her voice. If she had the creative freedom I wouldn't be surprised if she would do something more in vein of Shonen Knife or FLiP (or even Head Phones President). Maybe it's silly of me to think this, but I can't help but think Hirano would do better with something like an Iggy and the Stooges setup. (Imagine her singing Pop's "Tonight.") Unfortunately if she continues on this sort of musical trek her full potential won't be heard, and Aya Hirano will continue to release more mediocrity like Speed*Star.

    ** ½ (out of five)


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    Top Fifteen Albums of 2009

    posted @ 12/20/2009 01:47:00 PM by King Baby Duck
    Considering the vast amounts of amazing albums that came out this year, I found great difficulty in making a "Top [insert number here]" list. Instead -- to be completely unbiased -- an alphabetical list of fifteen great albums of 2009 will have to suffice.

    Animal Collective - Merriweather Post Pavillion

    If there ever was a soundtrack to the Burning Man festival, this would be it. The psychedelic sounds that pour out of the speakers are unlike anything you've never heard (unless, of course, you're on an acid trip). Tracks like "Summertime Clothes" and "In the Flowers" sound as if the Beach Boys and the Flaming Lips locked themselves in a garage and just jammed for hours on end, and this was the result.


    Asobi Seksu - Hush

    Read my review here.


    Busdriver - Jhelli Beam


    The LA musician returned to his more experimental groove roots with this one, and it shows why he's the most under-appreciated rapper in America. The fastest rhymer since God knows when, Busdriver comes off as quite the intelligent man (especially on "Me-Time (With the Pulmonary Palimpsest)" and "Scoliosis Jones"). You will actually become smarter by listening to Jhelli Beam.


    The Cliks - Dirty King

    Canadian frontman Lucas Silveria went back to the studio after touring extensively for Snakehouse, and came back with something quite different from that CD. The title track screams with the classic badass approach of the previous album, but it's when things slow down on "Emily" and "Not Your Boy" when Dirty King shows off a different personality for the Cliks. Still, no matter what the tone is on the album people won't find it hard to admit that it has something for everyone. (Check out my interview with the Cliks here.)


    The Decemberists - The Hazards of Love

    Colin Meloy had originally written this album as a planned musical, but it was canned after Meloy's story became too complicated to bring to the stage. Shame. It would've been amazing to see the characters of William, Margaret, the Rake and the Forest Queen brought to life on Broadway. Still, songs like "The Rake's Song" and "The Wanting Comes in Waves/Repaid" are all beautifully melodious, and gave way to make one of this year's best concept albums.


    Electric Eel Shock - Sugoi Indeed!

    With the power (and donations) of their massive fanbase the Japanese metal trio went off and made their most heavy-rocking album since BEAT ME. With the zombie anthem "More" and the mosh pit-worthy "Mr. Toad" appearing on this CD, Sugoi Indeed! succeeds on every level to make sure that this is one fun album to listen to. Guess Aki is -- in fact -- made of metal.


    Iggy Pop - Préliminaires

    The man who wanted to be your dog has finally become "King of the Dogs" on this surprisingly good jazz-rock album. Hearing Iggy croon on the 1940s cover "Les feuilles mortes" and the swamp rock "Nice to Be Dead," and you'll remember why Iggy is truly one of music's coolest vocalists. (Be sure to read Michel Houellebecq's novel "The Possibility of an Island," the main inspiration for Préliminaires.)


    Matt & Kim - Grand

    Matt & Kim have made the happiest album of all year. One will have trouble wiping the smile off their face while listening to such gems as "Daylight" and "Good Ol' Fashion Nightmare." To call them merely the Dresden Dolls on happy pills is an understatement. They're the kind of joyous musicians the world needs in times like this.


    The Mighty Mighty Bosstones - Pin Points and Gin Joints

    Ska is not dead. In fact it is alive and kicking, and the Bosstones have proven so by making their best album since 1997's Let's Face It. From its opener "Graffiti Worth Reading" to its closer "A Pretty Sad Excuse" (which is anything but) the Mighty Mighty Bosstones have made it clear that they are here to make noise, and they want you to dance along.


    Mono - Hymn to the Immortal Wind

    Greatest instrumental rock album of all time. Enough said. (Seriously, if that statement doesn't get you to buy this album, I don't know what else to tell you.)


    monobright - monobright two

    monobright's song "Anata MAGIC" is probably the best song to come out of Japan this year, but the rest of the album shows why the band is the most original Japanese rock band of this decade. "Namidairo FRUSTRATION" and "Monogatari" come off as some of the most well-sounding rock tracks to be written in the Land of the Rising Sun since the pillows' 2002 album Thank you, my twilight. Expect big things from monobright for years to come.


    Rammstein - Liebe ist für alle da

    The top Neue Deutsche Härte band have once again shown why no other musicians can lay their fingers on them. From the masochistic "Ich tu dir weh" and the hauntingly beautiful "Frühling in Paris" to the hilarious "Pussy" (best music video of the year, by the way) Till Lindemann and friends have made an album that makes up for their four-year absence. Also, an American tour may occur, as evident here.


    Spinnerette

    The new band from Brody Dalle and Alain Johannes was overshadowed by Jack White and Alison Mosshart's new group the Dead Weather. Too bad, considering it's Spinnerette's debut album that was far superior to TDW's Horehound. The raunchy sounds from "Ghetto Love" & "Sex Bomb" and the fist-pumping vibes from "Baptized By Fire" & "Rebellious Palpitations" make this album a must for fans of alt. rock that tickles the spine.


    Street Sweeper Social Club

    When Rage Against the Machine's Tom Morello teamed up with the Coup's Boots Riley, the result was more tongue-in-cheek satire than political rock. Nevertheless the duo managed to make "The Daily Show" of rock albums: speaking truths ("Fight! Smash! Win!"), getting people's attention with a rally cry ("100 Little Curses") and making them giggle at the mistakes of others ("Promenade").


    Them Crooked Vultures

    What happens when you put the greatest drummer in the world, the greatest bassist in the world and one of the most talented guitarists in the world in the same room? Genius, that's what. Joshua Homme, Dave Grohl and John Paul Jones jolt rock 'n' roll with enough electricity to keep it kicking for another couple hundred years, thanks in part to dino-stomping jams ("No One Loves Me and Neither Do I"), catchy lyrics ("Mind Eraser, No Chaser) and just not giving a fuck about how it sounds and still managing it to sound cooler than anything else ("Interlude With Ludes").


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    While Some Gamers Game, Others Rock: L33tStr33t Boys

    posted @ 12/14/2009 11:06:00 AM by Pandalicious

    When Gaming and Music Collide...

    Coming from a geekish background of games, music and anime, it is no wonder why I would fall in love with this anime otaku fantasy game band. I do not use the word love often, but in this case I’ll make the exception. Comprised of an elf on guitar, a guitar hero hero from a far away land as lead vocals, a healer with awesome bass skills and a massive dragon on drums, L33tStr33t Boys brings the worlds of gaming and anime straight to your earholes.

    Unlike all of the other musical entities that have done songs about video games, or have referenced an anime of yesteryear, L33tStr33t Boys raises their geek flag and proudly wags it in your face. Respect it! The band has been around since 2007, however they didn’t make their impact until the debut of their music video for their instant classic “Yuri the Only One” at Anime Boston 2008. It was the talk of the convention, to which I can attest to since I was there.

    Many say they are a boy band, and this is where I will draw the line.

    When I think boy band, I think five 20 somethings, who sing more than they play instruments. I even use the term “sing” loosely, because most boy bands of my time consisted on maybe one or two of the—lets say five—boys singing while the other three harmonize with the “Oohs” “Ahhs” and “Yeahs”. They also made sure to over emphasize the pelvic thrusting and gyrating that made the fan girls swoon.

    L33tStr33t Boys is far from that. They are not a mere boy band; they are a band for our gaming generation.

    It wasn’t until February 2009 that the band released its self-titled debut album and it wasn’t until some few months later that I would be fortunate enough to review it.

    Presentation:

    The starting line for any project, whether it be: music, drawing or even podcasting can be a feat all its own. Without people with specialized talents, a release of a video, comic or audio show can show just how novice we can be. L33tSt33t boys rose to the occasion and made sure to make their CD cover art noticeable and easily recognizable to their fans. It was heart warming to be brought back into that original animated music video.
    Result: 5 of 5

    Music:

    It was great to see that straight away the debut album did not start off with all their already exposed singles. Their range in music genres is highly praised. Other music groups have attempted to show their versatility by doing this and have utterly failed. They were able to find a proper balance between rock, ballads, and pop tunes. All fused with our gaming/geek culture.

    Here is the lineup: They have songs for every occasion: an upbeat love song, a down beat love song, a day boosting song, and a political call to arms song. You name it they have it here, all for your enjoyment.

    Masquerade
    Otaku Anthem (I Wanna Live)
    Yuri the Only One
    Guitar Hero Hero
    Haruhi
    Pixel Girl
    Leetstreet Fighter
    The Fanboy of the Opera
    Rockstar Games
    In Another Time

    Result 5 of 5

    Overall Result: 10 of 10
    This CD is light, engaging, funny and it is solely meant to be enjoyed. If you take this too seriously then you are missing the point.

    L33tStr33t Boys are not just a band comprised of gamers and anime enthusiasts. They are a triple threat. But don’t take my word for it. Check them out at www.leetstreetboys.com. If that isn’t enough, you can look them up on youtube to see their animated videos. You will not be disappointed.

    On that note here is one of their videos.


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    Podcastastrophe!

    posted @ 11/02/2009 08:00:00 AM by Ninjasistah
    Well, not really Podcastastrophe as much as new podcast episode for the win!

    In this episode we help kick off the start of November with a podcast full of gaming. Starting off with NinJaSistah's coverage on the new Activision title DJ Hero on the Xbox 360 while Pandalicious talks up both Uncharted 2:Among Thieves for the PS3 and Playlogic's new FairyTale Fights game.

    We are chock full of game goodness in this one ladies and gents. We even briefly mention the new Magic Mouse from Apple and Tekken 6 Here's a quick glimpse of what this episode is like:
    • Bobby Blue Bland — Say That Three Times Fast
    • Is It Possible to Spoil the Plot of Little Red Riding Hood?
    • Counting the Strokes Detracts from the Experience
    • and finally
    • It's Cartoony to Make You forget About All the Bloodshed

    Kick back, relax and enjoy Electric Sista Hood Podcast episode #170: It's Bright and Colorful, Yet Bright and Colorful.

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    Human After All

    posted @ 9/14/2009 11:11:00 PM by Ninjasistah
    When it comes to music simulation games I make no bones about the fact that I am quite biased towards them. For me, they are the rare type of game that can be competitive or non-competitive at a moments notice. As a creative type person with friends on both sides of the "avid gamer" fence, this is an important quality for a game to have.

    Last week I was woo'd by the MTV Games/Harmonix title The Beatles: Rock Band. This week, Activision's DJ Hero has my direct attention.

    This gear-shift does not mean that Beatles Rock Band and I broke up, just that we are not dating exclusively. DJ also looks like a fine lady to hang out with and with good reason. When the title launches on October 27th, Activision boasts a whopping 93 songs on disc will be playable, including a bunch of megamixes for the player to enjoy. While this may seem a bit "old hat" to you, the kicker for me today was that camp DJ announced tracks from Daft Punk would be in the game.

    The mixes available include:
    • "Around the World" vs. Young MC "Bust A Move"
    • "Da Funk" vs. NASA "Strange Enough ft. Karen O, ODB and Fatlip"
    • "Da Funk" vs. Queen "Another One Bites the Dust"
    • "Robot Rock" vs. Hashim "Al-Naafiysh (The Soul)" – Produced and mixed by The Scratch Perverts
    • "Robot Rock" vs. Queen "We Will Rock You"
    • "Short Circuit" vs. Boogie Down Productions "Jack Of Spades"
    • "Technologic" vs. Gary Numan "Cars"
    • "Television Rules The Nation" vs. No Doubt "Hella Good"

    If you listened to this weeks' podcast episode already, you know that I was not quite yet sold on purchasing this game, that has now changed. I love Daft Punk. Whenever I am in the middle of a day full of suckitude, Alive 2007 brings me back to being me; fun-loving and not chock-full suck. As much as I enjoy the music that artists like Jay-Z, Eminem, the Gorillaz and Rick James, I was a bit worried when I looked at the initial revealed artist list for tracks in the game. But as more and more video's started to hit the web showing off various folks giving the wheels of plastic a spin I became less and less anxious. Now I'm looking forward to getting my hands on this title.

    Make sure you make a visit to the DJ Hero site and check out what is going down October 27th, and while you are checking things out, peep our new image gallery including some DJ Hero images with more to come soon.

    Who knows, maybe I will have a hands-on review of the game and controller for you soon.

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    DSi Discussion: The World Ends With You

    posted @ 8/19/2009 02:37:00 PM by Pandalicious

    All the world needs is me...




    The world of the interwebs is well aware of my intimate love/lust relationship with Square Enix,so it should be of no surprise that I would be interested in a game by the name of The World Ends With You. We experience a different approach to the RPG category. In this game, we are not transported to a different time in history or into a realm of fantasy. For once the setting is modern time. It is modern day Tokyo, which is the epicenter of fashion trends, culture and the end...of the world?

    This doesn't seem to make sense during the opening sequence of this game. The world isn't fashioned after every apocalypse or post apocalypse game. It allows us to see that the end of world as we know it doesn't necessarily involve explosions, natural disasters or political schemes gone crazy.

    In The World Ends with You, you play Neku. In my opinion he is every EMO character we have encountered in all of the Square Enix RPG's to date. However you have to make him at the age that in Japan where it is alright to let him out into the real world. [Which we all know is 10 and above] For my sake I will say that he is about about 14 or 15 years old. He is overflowing with boyish angst and attitude which if you didn't have a younger brother or were ever male can lead you to find him EXTREMELY ANNOYING!

    As always, he has no idea who he is (besides his name)where he is(which is Tokyo), and why there are frogs with tribal markings all over them, beating the ever-loving crap outta him! This game wastes no time throwing the basic mechanics at you. Keep in mind that the game uses both screens of the Nintendo DS. While one character is in one zone the other character is in a completely different one. They both share the same amount of HP so you have to be aware what is going on at all times! Controlling Neku isn't very hard at all; his abilities are simple movements of your stylus across the touch screen. Shiki is a little more difficult as her abilities are linked to the directional pad [or the letter buttons for lefties!][Note: If you new to the Nintendo DS world then be warned that the combat system may appear unfamiliar to you. Frustration and anger are common emotions to encounter...especially with new games.]

    Pairings are very common in RPG land, so no sooner do you learn how to move do you meet your first party member, Shiki. Now, she is very ditsy in the beginning. She pretty much brow beats you to make a pact with her [No she isn't Satan.....as far as I know] and once you've signed your name in blood *cough* I mean agree to the pact, you are forever partners. She throws a lot information at you, which as Neku you dismiss because you have the hugest chip on your shoulder. [What else is new?!]

    The premise of the game's story is as follows: Neku, Shiki and several others are called Players. Each of them have pins that grant them special powers *IF* they are wearing them [Note: Make sure to Equip pins from the start...unlike me who did not] Once players have been selected they are notified that they have to survive this "game" for seven days. As a price for being a player the most important thing of value to you is taken away. If you win, you get it restored to you, if you don't... well don't get it back and your right to exist is taken too. That's right! You don't just die...but your existence gets completely wiped out...but no pressure...its only a game.

    This leads me to believe that Neku valued his life more than anything, which is why he doesn't remember a gosh darn thing! Shiki's most valued thing is her best friend Eri [Hmmm now I know what you are thinking, and I thought the exact same thing too but no, they are really friends...The type of friends who loved each other and did everything together, maybe even made out once or twice..OK I'm sorry...back to the game =(]

    So we have our protagonist and his band of prepubescent followers and as for the antagonists we have Reapers. They are people who also have special abilities. They can erase players and Noises [Which are the beast like monsters you fight to save the world.] It is the Reapers job to set up missions for the players along with a time limit in which to complete the given task. If players do not do this in time the reapers get to erase them. However they are only allowed to give one mission a day, and if they do not erase a certain amount of players they themselves get erased. It is truly a dog eat dog world in this RPG.

    Now, if you are a fan of games like Kingdom Hearts then the animation style will be very appealing to you. Neku resembles Sora only, taller, thinner and A LOT more EMO. Shiki kind of looks like a very slutty version of Kairi...and I haven't seen a Riku look-a-like yet but that doesn't mean he doesn't exist! [He better exist dammit!]

    Another positive in this game, would be it's soundtrack. It is very Tokyo urban which is very catchy to the ear. I plan to get all the songs for this soundtrack, I swear the game and music industry have a great thing going on here! I can hardly wait to get fully immersed into this game. I aim for this to be the first DS game that I play completely through. Wish me all luck, or else the world will end....with me....

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    Rock Band DLC Update: Spinal Tap

    posted @ 7/31/2009 01:47:00 PM by Ninjasistah
    Oh baby, am I glad about this! The first time I played a Tap song in Guitar Hero I kept praying that someone would add more stuff from Spinal Tap to their line up, and evidently the group over at Harmonix heard my silent cries.

    Now, if you are down with the living room rock star lifestyle you already know that some of the Tap songs from the "Back From the Dead" album are available in the Rock Band Music Store. That's cool and all, but in all honesty, the three songs, "Back from the Dead," "Rock 'n' Roll Nightmare" and "Warmer Than Hell" are not the songs that Tap is well known for. On August 4th, a slew of Tap songs we all know and love will be available for purchase in the RB Music Store... let the tiny rocker inside you rawr with joy! I'm including the list below so you [like me] can salivate over it between now and the drop date.
    • (Funky) Sex Farm
    • (Listen to the) Flower People (Reggae Stylee)
    • America
    • Big Bottom
    • Cups and Cakes
    • Gimme Some Money
    • Heavy Duty
    • Hell Hole
    • Rock ‘n’ Roll Creation
    • Stonehenge
    • and of course
    • Tonight I’m Gonna Rock You Tonight

    Fake axes at the ready folks, your summer living room concerts are about to get a lot louder!

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    Destination: The Beatles: RockBand

    posted @ 7/21/2009 01:25:00 PM by Pandalicious



    New additions to The Beatles: Rock Band game announced!
    As you know the ladies here at ESH have been clamoring over the anticipated 2009 release of The Beatles: Rock Band. So it is pointless to mention that as soon as new news reaches either of our ears, that we would want to bring it to the forefront for all of you out there who come and pay us a visit.

    Now I have to admit, that my awareness about the profound sound of The Beatles didn’t truly hit until the release of a movie “Across the Universe”. Which in my opinion gave an overly simplistic story to songs that inspired countless people during that particular time in history. It was seriously downplayed but still enjoyable to fans and non-fans alike.

    So here is the list of the new songs that will be made available in the game. Along with the tracks are the venues in which you’ll be able to play them in game.

    · Twist And Shout / Cavern Club
    · Do You Want To Know A Secret / Cavern Club
    · Can't Buy Me Love / Ed Sullivan Theater
    · I Wanna Be Your Man / Ed Sullivan Theater
    · Eight Days A Week / Shea Stadium
    · Paperback Writer / Budokan
    · And Your Bird Can Sing / Budokan
    · Yellow Submarine / Abbey Road Dreamscape
    · Sgt. Pepper's Lonely Hearts Club Band* / Abbey Road Dreamscape
    · With a Little Help from My Friends* / Abbey Road Dreamscape
    · Within You Without You / Tomorrow Never Knows / Abbey Road Dreamscape
    · Revolution / Abbey Road Dreamscape
    · Birthday / Abbey Road Dreamscape
    · Dig A Pony / Rooftop Concert
    · I've Got A Feeling / Rooftop Concert


    So if you haven't been as excited about this game release before this news, you'll have more to look forward to now! :)

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    Mmmm, It's a Podcast Episode

    posted @ 6/29/2009 08:00:00 AM by Ninjasistah

    In this episode of the Electric Sista Hood podcast Ninjasistah kicks off the episode chatting about the anime series Eden of the East and then we try to get serious.

    We tried.While we do our best to keep it on the PG, Pandalicious starts a rant on achievement whoring which turns into an achievement glutton VS achievement whore definition debate that ends up running into a tangent of it's own. When we get back on schedule she talks about her new found love of completing games including the Ubisoft title Assassins' Creed and what we are looking forward to in the next installment of the game. Then Ninjasistah comes back with some bits about industry mergers and acquisitions with the announcement of the Tecmo Koei merger on the heals of the ZeniMax Media id Software.

    It's another fun podcast in the can so sit back and prepare to enjoy ESH podcast episode 152: A Romp in the Hay Should Be Fun

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    My Childhood

    posted @ 6/26/2009 02:31:00 PM by Ninjasistah
    As I start to type this post I am not sure where it is going to go, but I am compelled to write it nevertheless. I am a child of the 80's so I grew up on the music and music videos of Michael Jackson. That's not right, I grew up with his music and his talent.

    Michael Jackson played a very big part in my childhood and adolescence. I remember the first song of his I ever heard to this very day. My dad went over to the closet where he kept all of his vinyl and grabbed this album that I remember thinking, "had this cute looking kid leaning on a wall" on the front. I was a mere pup then so I couldn't read that the album was called "Off the Wall." I had to have been 3 or 4 years old and did not know the words, but when I'm old, gray, and have altzheimers' I'll remember the melody to "Rock With You" because of my father.

    Michael was an inspiration to me personally. He made me believe it was ok to be whatever you wanted to be. Here was this black kid in the music business which at that time should have meant he was strictly an R&B performer and yet he was not. He was a pop artist, blending R&B with Rock creating his own unique brand of pop that crossed over the lines of race and the boundaries of geography. To watch TV and see this black man wearing tight jeans and not baggy ones, and I swear he was the first black artist I saw wearing punk clothes. Michael made me believe it was cool to wear that stuff. While I never had a white glove or red jacket, I do like sporting chains and have an affinity for Hot Topic that I can draw a direct correlation between Michael's style and his impression on me as a kid and my "it feels go to me" attitude.

    His music and music videos became part of the foundation of my childhood growth. One of the first things I remember saving my allowance up for was to purchase a copy of the "Bad" album in 1988. I was 9 years old and I played that record non-freaking-stop. For months [and I do mean months] I would come home from school and play that record from beginning to end when I got home from school doing my best Michael moves. That album was bad too. Not a bad song on it, which is no easy feat, and Michael seemed to do it effortlessly. "Bad" was also the first time I clearly remember listening to an artists' song or watching a video they made and identifying with what they were going through at the time.

    On the "Bad" album Michael penned a song called "Leave Me Alone," and while the lyrics would lead you to believe it's just another break-up song, it's music video made it clear Michael was getting tired of all the speculation in the media about him. In the video there were visual representations of every weird "MJ" thing that had been reported at the time. There was the section about him trying to buy the remains of the Elephant Man, Bubbles the chimp, the shrine to Liz Taylor, the hyperbolic sleep chamber stuff, and it was obvious to me that Michael was a person just like everyone else on the planet... he had feelings like the rest of us and they were hurt.

    I used to make "mixtapes" of his videos that I recorded off of MTV and spend hours watching them, rewinding them to try and learn his moves better. I read liner notes of the cassettes of his song to learn the lyrics of the popular ones and less popular ones. I'm watching MTV's marathon of his songs and "Who Is It" just came on and I found myself singing along to the entire song as if I was a kid again. No joke, "Dangerous" was the first CD I ever bought. I begged my parents to order it through Columbia House and they did, and the title track was my "theme song" that year. Don't giggle, we all make the soundtrack of our lives and "Dangerous" was on mine in 91.

    And since we are a video game website, I'll mention the game tie in here. The Moonwalker video game sucked, but his character in Space Channel 5 and Space Channel 5.2 totally seemed like he was in the right place. Outer space.

    He had his eccentricities, and some of them were difficult to understand, but we all do, hell even I do. [We can get into my OCD later] The thing that separated us from Michael is that we didn't have the public clamouring for any little tid bit about the weird or off the wall things we were up to on a regular basis. I never lived with the man, so I couldn't say what was and what wasn't, what did and did not happen, but you would have to be a cold person to not feel sad in some way that Michael is gone. Looking at his later catalog and listening to songs like "You Are Not Alone", "Stranger in Moscow", and "Childhood" the heart feels heavy.

    People die every day. It is the end that we all inevitably head toward from the moment we are born and no life is more important than any other. I am sure that I am not the only person in the world for whom Michael Jackson's music was a touchstone in their lives. And whether you are a fan of his work or not, he leaves behind three children who face a harsh future without their dad, brothers and sisters that have lost a piece of themselves, parents who I'm sure like many whose child passes before them are at a lost, and millions of fans who feel the world is a little less bright today.

    I will miss Michael Jackson. I will miss the music he had yet to give to the world. I will remember him fondly, and treasure all of the memories that the man and his music brought into my life.



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    Michael Jackson Wasn't An Influence -- He Was More

    posted @ 6/25/2009 10:56:00 PM by evermore



    It's been a long time since anyone revered Michael Jackson. All the success of his Thriller album were followed too soon by the depths of the sexual allegations against him. Was there anyone who wanted to be like Mike?

    It's my contention that the answer is a resounding yes. And there are examples all over.

    News of Jackson's death Thursday brought to mind a story I read a while back. It was written by my friend Thomas Conner, now the online entertainment editor at the Chicago Sun-Times.

    The very title of the story, "King of Pap," telegraphs the tone of the story he wrote back in 2001 when he was an entertainment writer at the Tulsa World. In the story, Conner asserts that despite his fabulous record sales, Jackson had not become much of an influence in music:

    "To wear the crown of King of Pop, though, an artist would be expected to be omnipresent in all the fifedoms of popular music. The force of his rule should be felt in provinces as far away as jazz and indie-rock," he wrote. "But they aren't. Musicians don't cite Jackson's indomitable influence when discussing their own albums in interviews. They're not covering his songs."

    But I have to disagree with my good friend on this one. It's a case of not seeing the forest for the trees. Michael Jackson was not simply an "influence" in popular music -- he had created an entire genre of music.

    It has happened before. The genre of rock 'n' roll was spawned directly from Bill Haley and the Comets' "Rock Around the Clock." Heavy Metal music came directly from The Beatles' "Helter Skelter." And the night Michael Jackson sung "Billie Jean" and performed the Moonwalk on the Motown 25th Anniversary TV special, he launched the careers of dozens of today's hottest artists.

    Conner writes, "Musicians don't cite Jackson's indomitable influence," but they don't have to say it. With every song that Usher and Justin Timberlake do, it proves that they are aping both Jackson's music and dancing.

    If it weren't for Michael Jackson, Usher would be be the title of his profession instead of his stage name. Justin Timberlake would be just another aging former Mousketeer. And would actor Chris Tucker have a career at all, if it hadn't been for Michael Jackson?

    But the genre doesn't stop there. With the help of the great NinjaSistah, we put together a list of all the artists whose careers exist solely because of the ground that was broken by one guy:

    Chris Brown, Neyo, Tevin Cambell, N'Sync, TLC, 112, Diddy, Cassie, Britney Spears, Ludacris, Jamie Foxx, Kanye West, Lupe Fiasco, Black Eyed Peas, Bobby Valentino, Ciara, Robin Thicke, Sisqo, Al B. Sure, Floetry, Due, Start, Aaliyah, R. Kelly, Amerie, Beyonce, Brandy, Ginuwine, Wyclef Jean, Mario, New Edition, Omarion, SWV, Fall Out Boy, Snoop, Alien Ant Farm and the pop songs of Will Smith. Oh, and most of the artists who have ever appeared on American Idol.

    Personally, I never was a big fan, but I always admired him. I was in eighth grade when he and his brothers took the song "ABC" to No. 1. Years later, I was glued to the set the night MTV debuted that amazing "Thriller" video.

    I was equally aghast the night I saw him try to explain his way around his affection for small boys. I can't speak to his actual guilt in the matter, but it was obvious that he was certainly out of touch with reality.

    A lot of words are going to be written and said about Michael Jackson in the next few days. And a lot of people are going to debate about his talent and his personal life. And, while his music might not last forever, it is certain that we're going to be listening to the musical genre he created for a very long time to come.


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    Harmonix Will Be Getting Even More of My Money

    posted @ 5/05/2009 05:14:00 PM by Ninjasistah
    As if announcing a Beatles Rock Band game with a full scale Höfner bass controller wasn't enough for Harmonix today I get a press release talking about the new Rickenbacker 325 and Gretsch Duo Jet guitars that will be available for The Beatles: RockBand game dropping on 9/9/09.

    If you are a massive Beatles fan [like most of us here in the land of ESH] you know that the Rickenbacker 325 and Gretsch Duo Jet guitars are widely considered the signature guitars that Lennon and Harrison used during their careers respectively. Each guitar will be available for $99.99 here in the US.

    Not sure you want to pony up $250 for the kit [with the Höfner bass, Ludwig branded drums, mic and mic-stand] plus $200 for these guitars? I thought the same thing as I started reading the press release. Then I saw a picture of the guitars and I changed my tune immediately.

    I think you'll agree.

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    King Baby Duck's Vinyl Vindication: Asobi Seksu - Hush

    posted @ 2/21/2009 04:40:00 PM by King Baby Duck

    The Duck is here premiering a new music reviews section (since I haven't been doing much J-VOLUTION stuff). Today we focus on the new Asobi Seksu album "Hush."

    Last year I spoke highly of Asobi Seksu's last album "Citrus," saying that it would "surely be ranked up there with many of the classic albums of century's past." After putting "Citrus" so high up on the pedestal I had worried that their next album would not be up to par with it. Thankfully "Hush" puts my fears to rest.


    The album opens with "Layers," which could easily be used during the holiday season; as it captures the beauty of a light snowfall in a song. "Familiar Light" showcases vocalist/keyboardist Yuki Chikudate's lyrics, as she hits the high notes with grace and ease, while guitarist James Hanna plucks away in the background (an odd change to the original Seksu sound we're familiar with). The third track, "Sing Tomorrow's Praise," brings forth the loud beauty that the band is known for: angelic lyrics, banging drums (from session drummer Gunnar Olsen) and pulsating guitars; with a psychedelic organ at the end. "Transparence" brings forth an upbeat romp towards a new day coming to greet you in a well-molded manner, mending together melodies and vocals that would even make Bono & the Edge jealous.

    "In the Sky," brings forth an image of a new-born phoenix rising from the ashes, soaring higher and higher into the never-ending blue; an odd feeling considering that this album was written, according to Hanna, "while [they] felt destroyed." "I Can't See" is an odd track (for Asobi Seksu), bringing in towards a Top 40 melody. It is here where Hanna's strong vocals are shown forefront rather than in the background, as well as how well both he and Chikudate work in a perfect musical sync. "Me & Mary," the first single from the album, is the playful sex tune that makes Yuki & James a joy to listen to. "Blind Little Rain" closes the album in a somber yet relaxing tone; only to return after a minute of silence to awaken the senses with a soothing organ to sweeten the deal.

    Asobi Seksu - "Me & Mary"


    It is, at times, hard to describe the sound of Asobi Seksu (as mentioned in my "Citrus" review). All I can say about it is that the sound is hauntingly beautiful. One can be hypnotized by its music, its lyrics or both at the same time. Whatever the case "Hush" showcases the next chapter of Asobi Seksu's career, and this time around it's scribed by Apollo (who not only was the god of light & sun, but also of music & the arts).

    "Hush" earns Asobi Seksu's second 5-star rating, putting the band a few spots higher on my list of best artists in the world. I can only hope that with this record Asobi Seksu's name gets further out into the mainstream world. Imagine the type of spectacle they'd be able to pull off in an arena filled with screaming fans, much less a small rock club.

    This is King Baby Duck: "Ain't born to lose, baby, I'm born to win. I'm so Goddamn slick, baby, it's a sin!"

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    A Shameless Plug: Coffee House Central

    posted @ 2/10/2009 11:31:00 AM by King Baby Duck
    I would like to share with all of you a new project that I am working on.

    "Coffee House Central" showcases music, poetry and spoken word acts from Salem State College. We film one or two 3 hour shows a month, and then splice all the acts into 6-12 30-minute episodes.

    Coffee House Central - Episode 01 - Part A


    This King cannot take credit for this project, though. All thanks go to my fellow Boston Bastard Brigade member Pink Taco, who revived this event at Central Campus. Because of her these students are able to shine and show off their talent to everyone around the world.

    If you'd like to check out the show, go to www.youtube.com/coffeehousecentral, or look on the channel below.


    This is King Baby Duck: "Ain't born to lose, baby, I'm born to win! I'm so Goddamn slick, baby, it's a sin!"

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    Mass Effect: Finish It For the Ending Song, If Nothing Else

    posted @ 1/13/2009 01:16:00 PM by Douceswild

    So I finally got around to finishing Mass Effect last week and it was worth it. Not only is it an excellent rpg, but the song that played during the ending credits was worth the play-through.

    I talked about the Faunts and they're song M4 Part II on the last episode of Geek Aggro. I was just about to turn off the game when the credits started rolling. Then this song started playing and I was like, "Wow. This is pretty good." By the time the song finished I already had it queued up on YouTube. Check it out and tell me what you guys think.


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    King Baby Duck's Best Ten - J-POP Albums of 2008

    posted @ 12/27/2008 02:57:00 PM by King Baby Duck
    It was an interesting year, to say the least, in the J-POP world. Let's take a look at the top Japanese albums that have made my list.

    10. Pistol Valve - RATATATTAT!
    This monster of an all-girl ska band released their long-awaited full-length CD this year, and it shows how much work these women put into their album. You might not be able to stand still during such ditties as "Please Mr. Policeman" and "My Best One," and with its ability to mix ska with techno as heard in "YES or NO" you can't help but to get up and dance.

    9. Zazen Boys - Zazen Boys 4
    From the Matsuri Studio comes Zazen Boys' fourth release, produced by the wonderful Dave Fridmann (The Flaming Lips, Weezer). More experimental than their last releases (and a bit funkier, too), frontman Mukai Shutoku (formerly of Number Girl) makes it his and the band's mission to make the listeners feel groovy, thanks in part to such tracks as "Idiot Funk" and "The Drifting/I Don't Wanna Be With You." Though not an album for everyone "Zazen Boys 4" is a fun CD that will put many smiles on all the indie boys and girls.

    8. BORIS - Smile
    The masters of Japanese hardcore metal return with one of their strongest albums yet. With tracks like "Buzz-In" and "Laser Beam" it's a wonder why more metal acts haven't toured with them. (Thankfully, Trent Reznor had them open for his band Nine Inch Nails this past autumn.)

    7. Dir en grey - UROBOROS
    Dir en grey just keeps getting better and better with each album, and "UROBOROS" proves to be their best album. From its opening "Sar Bir" and "Vinushka" to "Stuck Man" and "Bugaboo" Dir en grey shows off some of the most darkest sounds to come out of your stereo since Bauhaus released "Bela Lugosi's Dead."

    6. TsuShiMaMiRe - TsuShiMaMiRe to Rock to Beer de
    From their raw opening "Mi Kara Deta Sabi" to its mixture of pop rock and psychedelic alternative in "Atarashii Sekai No Yoake Ha Toriaezu Rock to Beer De" the all-girl punk trio from Chiba once again prove to the world that not only can girls rock, but they can also do it a lot better than them. Also listen to "Sakuran Boy," one of the best tracks to come out of Japan this year.

    5. shing02 – Waikyoku
    Japan’s best solo rapper finally released this album after six years in the making, and it shows why it took so long. Great storytelling in “Bijou,” amazing beats in “Nagasume” and a wonderful blend of jazz and hip-hop make this album a strong contender for best rap album of ’08.

    4. the pillows – PIED PIPER
    Sawao Yamanaka and company finally made an album that is about worthy of placing it amongst their “Golden Four” albums of the late 90s. I think now’s the time that the rest of the world (and not just otaku) should be known about the pillows.

    3. Soil & “Pimp” Sessions – Planet Pimp
    Last year this band’s “Pimpoint” was #1 on my J-POP album list of ’07. This year they appear again at #3 with this album, which still shows why they are the best jazz band on the planet. It’s exciting, fun and danceable for all ages.

    2. TRICERATOPS - MADE IN LOVE
    I recently discovered this band this past year, and fell in love with their style. Their album “Made in Love” sometimes feels like a Japanese Oasis, while other times it sounds like a great blend of techno and Red Hot Chili Peppers.

    1. SUEMITSU & THE SUEMITH - Shock on the Piano
    Billy Joel, Elton John, John Legend, and even Ben Folds should be watching their backs. SUEMITSU is about to come from behind to remind them of what real piano rock is. This album is an amazing accomplishment that both classical and rock enthusiasts can sit down and enjoy listening to.

    This is King Baby Duck: "Ain't born to lose, baby, I'm born to win! I'm so Goddamn slick, baby, it's a sin!"

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    King Baby Duck's Best Ten - English Albums of 2008

    posted @ 12/16/2008 11:03:00 AM by King Baby Duck
    This was a good year for English-language music. So many great albums and new artists, but only ten have been deemed worthy on my annual list. Read on to see who made the cut.

    10. Kaiser Chiefs - Off With Their Heads

    After the mediocre "The Angry Mob" last year I began to worry that Kaiser Chiefs were going to fade into obscurity. Thankfully I was wrong. Not only does OWTH top their previous album, it also proves to be much better than their "Employment" debut. Its opening track "Spanish Metal" is like a calm matador going against a raging bull that is "Never Miss a Beat," and "You Want History" is a cheery Britpop ditty that calls to the days of Madness. Tracks like "Addicted to Drugs" and "Half the Truth" also show why this is the best album to not be released in the '80s.

    Kaiser Chiefs - "Never Miss a Beat"


    9. The Streets - Everything is Borrowed

    Mike Skinner's fourth album is a bit softer than his previous takes, but that's what might make this his best work yet. The sound is very reminiscent to his first album "Original Pirate Material," which helps to disprove that you can never go home without success. "Everything is Borrowed" shows why the UK is on top of the rap game, from its opening title track and the danceable "The Sherry End." The album ends with "The Escapist": this year's most beautiful hip-hop track. Let's hope that Skinner's final album under the Streets name will be as grand as this piece of British treasure.

    The Streets - "The Escapist"


    8. Vampire Weekend - Vampire Weekend

    When Vampire Weekend first hit the scene, people claimed they were all hype and no promise. The critics were silenced with their debut album, which mixes alt. rock with African/Jamaican tribal. (Think the Police if they had continued to evolve as a band instead of disbanding.) "A-Punk" proved to be a wonderful, simple hit, while other tracks such as "Campus" and the harpsichord-friendly "M79" tickled the ears.

    Vampire Weekend - "A-Punk"


    7. Weezer - The Red Album

    If the only good song on this CD was "The Greatest Man That Ever Lived (Variations on a Shaker Hymn)," it probably still would've made this list. Thankfully there's a lot to love on this album. The YouTube-friendly "Pork and Beans" is catchy and fun, and "Heart Songs" brings out something of the history of the band. Having Rivers Cuomo share the lead vocal position with the rest of the bandmates also helped to make this an interesting album. While still not up to par with "Pinkerton" Weezer showed that it's still got a lot of great songs under their sleeve.

    Weezer - "Pork and Beans"


    6. Metallica - Death Magnetic

    Produced by Rick Rubin, Metallica brings forth their best album in 18 years. The three-minute guitar solos are back, as well as the raw energy that made the band famous. From the opening track "That Was Just Your Life" and "Cyanide" to "The Unforgiven III" (bringing the trilogy to a stunning finale) and the instrumental "Suicide & Redemption" "Death Magnetic" still proves once and for all that Metallica are the kings of heavy metal.

    Metallica - "The Day That Never Comes"


    5. Ben Folds – Way to Normal

    Ben Folds has come a long way since his BF5 days. His recent solo album brings him back towards his classic wit and and humor in his previous solo outings, as well as some great piano playing that will make even Elton John jealous. From “Hiroshima” and “You Don’t Know Me” to “The Bitch Went Nuts” and “Effington” Benny shows how good piano folk rock is done the right way.

    Ben Folds - You Don't Know Me (feat. Regina Spektor)


    4. Eagles of Death Metal – Heart On

    The kings of sex rock return with their strongest album yet. Jesse Hughes (aka Boots Electric) and Josh Homme (aka Carlo Von Sexron) bring out the best in erotic rock. From its title track to “Wannabe in LA” there is plenty of grind-inducing riffs that will most surely cause the birth rate all over the world to greatly rise.

    Eagles of Death Metal - "WannaBe in LA"


    3. Flobots – Fight With Tools

    I think it’s safe to say that we don’t need Rage Against the Machine to release another album. This Colorado group has made an album that’s not only catchy but also political in the right ways. Their hit song "Handlebars" is just the icing on the cake on this amazing CD. "Mayday!!!" and "Rise" shine the most on this album, but the rest of the tracks also are bright with great beats and lyrics. Look out for this band in 2009. If you saw them in a small club this year, you're lucky. Next year they'll probably be taking their songs to your arenas (and possibly stadiums).

    Flobots - "Handlebars"


    2. Coldplay – Viva La Vida or Death and All His Friends

    No longer can this band be considered a light U2. Chris Martin and company made an album that blends J-POP, Britpop and classic strings; and transformed it into one of this year’s most powerful albums. It speaks to so many people in so many volumes, and has a soulful tune that no one can turn their ear away from.

    Coldplay - "Viva La Vida"


    1. The Gutter Twins – Saturnalia

    Mark Lanegan and Greg Dulli’s new band shines in the darkness thanks to their long-awaited debut album. Like a soft apocalypse in your ear canal “Saturnalia” is a desert road album that you play alongside the Four Horsemen. What makes this album the best of the year is its mix of dark undertones with beautifully orchestrated rock music. The album opens with the rapture in "The Stations," stops in the middle for "Circle the Fringes" (which should have its own music video, IMO) and ends peacefully at "Front Street." "Saturnalia" is fantastic from start to finish, and is a big reminder to everyone on how to do a dark rock album properly.

    The Gutter Twins - "All Misery/Flowers"


    Look out for the J-POP Top 10 sometime soon. Until then, this is King Baby Duck saying, "Ain't born to lose, baby, I'm born to win! I'm so Goddamn slick, baby, it's a sin!"

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    B3 is Coming...

    posted @ 11/30/2008 12:11:00 PM by King Baby Duck
    The Sistahood is about to get some new neighbors...

    You might have read about it on their Facebook, but it's finally hitting your desktop! The Boston Bastard Brigade (or B3) is coming for you, so you better prepare! Join me, along with new crew members Blueonic, Dark Heart, Bam Bam, Pink Taco, and Spoony Sleuth as we talk gaming, anime, music, film, TV, sports, and what's pissing us off in our "Oh, For Fuck's Sake!" section.

    As of this writing there have been two episodes recorded (one in October, one in November), plus the interview I did with Japanese punk band TsuShiMaMiRe back in September. More will be coming each week (or every other week depending on our schedules), so look out for more info as the days go by.

    B3: Coming this December...

    This is King Baby Duck: "Ain't born to lose, baby, I'm born to win! I'm so Goddamn slick, baby, it's a sin!"

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    King Baby Duck's One-On-One: Shing02

    posted @ 10/30/2008 09:41:00 AM by King Baby Duck

    When I started watching "Samurai Champloo" a couple years back, my ears caught the sound of an amazing rapper. As the curious ducky that I am, after I watched the first episode I went online to check out who it was. My search found one name: Shing02.

    Since 1998, when he first started recording under the Mary Joy Recordings label, Shing02 has been changing the underground rap scene dramatically. From his fast and philosophical lines to his catchy, original beats Shing02 has proven to anyone who listens that he is one of the world's best. This year marked the release of his long-awaited (and brilliant) album "Waikyoku." Via email I decided to ask him a few questions about his past, his career, and his hopeful future.

    King Baby Duck: Do you remember the first rap album you ever bought?

    Shing02: I actually don't, regardless of genre! I remember when I got my first Walkman though, that was in junior high. I thought it was so crazy to listen to music with ear phones. I remember dubbing a lot of my sister's music collection, and swapping cassettes with friends in Japan. I was a very casual listener until i moved up to college, that's when I really got into the music "scene" which was absent in my high school days.

    KBD: When did you realize that you had this sort of musical talent? What inspired you to go forth on the path of an aspired rapper?

    S02: I don't know how you define musical talent, but I started making hip-hop because it was fun. I enjoyed every single aspect of it, like writing, recording, mixing, doing the album covers, selling it at stores, etc, the whole DIY [Do It Yourself] ethic, and finally doing shows and tours off your work, which did take a long time to develop.

    I would have to say my environment that I was brought up in as an artist inspired me the most, if it weren't for my fellow artists and friends in the Bay Area I would not be making music right now. Maybe some kind of art, but most likely not an MC.


    KBD: You have lived in many different parts of the world. You were born in Japan, raised in Tanzania and England, and now currently reside in California . How have the cultures of these different worlds inspired you to be the person and artist that you are today?

    S02: I think seeing different sceneries when you're young and having diversity ingrained in you as a child is very fortunate. My parents were definitely thinking ahead. (For instance, making sure my name would be easy to pronounce, etc.)

    My dad was a businessman so we moved around a lot. It was definitely hard leaving friends behind every time, but you learn to adapt wherever you go. I know some kids who couldn't fit in to any culture as a result, so I am lucky my family kept me positive.

    Interestingly enough, I've been sort of a hermit in terms of having a home because of my childhood, I think. I live in LA now, but I was in the Bay Area for 18 years because it was so comfortable. I still love touring and traveling though.


    Shing02 (prod. Eccy) - Ultimate High


    KBD: You’ve collaborated with the likes of DJ Krush, Nujabes, DJ A-1, DJ $HIN, and many others. Who has been your favorite person you’ve worked with?

    S02: I've learned something new form every collaborator, because they all have very distinct styles, and because I always look for those type of people to work with. The best situation is to do something you've never done before, so you challenge yourself to grow.

    Working with the sorts of DJ Krush, Ryuichi Sakamoto, Tadanobu Asano would be something I never dreamed of when I started, but it definitely wouldn't have happened if I didn't make sure I was satisfied with every project along the way.


    KBD: Many people know you from the song "battlecry" (with Nujabes), which was featured in the hit anime series "Samurai Champloo." How did performing this theme song come to be, and do you feel that something like "Samurai Champloo" helped to bring the sounds of Japanese underground hip-hop into the ears of the mainstream crowd?

    S02: I first worked with Nujabes on a song called Luv(sic). When I first heard the beat I knew I had to rhyme over it, so I had to beg Pase Rock to give it to me who was originally going to use it.

    The Luv(sic) series have been popular (part 3 and counting) so I'm quite happy about that. So after working with Nujabes on several projects, he asked me to do Battlecry. Originally I did a Japanese version on a different instrumental of his but he didn't like it (I did!) so we switched to a darker beat for the English version. At the time I recorded it, I had no idea it would be syndicated in the US, so it's been interesting to see people get into my work because of it.

    Check out the remixes (http://www.e22.com/shing02/battlecry_res.htm) too!


    KBD: You invented an instrument called the Vestex Faderboard. Where did this idea originate from, and how do you feel about the fact that many other people in the rap industry are using it?

    S02: The idea came from different sources. As much as I was into writing songs, being around world class scratch DJs had me thinking about experimental sounds. One day I just put it all together and came up with the idea that I could duplicate with a multi-track recorder, and the rest is history.

    You can check out the FAQ page for more info (http://www.e22.com/faderboard/). I'm really glad people continue to use it all over the world. The distribution is very limited now, but the idea will get out more in the future. Hopefully upgrades.


    Shing02 (with DJ A-1) - Embrace [LIVE]


    KBD: Your latest album, "Waikyoku," was recently released in many parts of the world. I remember hearing a couple of the demo tracks from the album over two years ago, notably "Jukou," "Houyou" and "Nagusame," and how it felt refreshing to hear something new and refreshing in the hip-hop world. Was there an idea for a concept for this album (perhaps dealing with "Waikyoku," or "torture" as it is translated)? What was the lengthy process of making this album like?

    S02: Waikyoku actually means Distortion (as in a story) or Contortion (of a shape). Wai is like Y, the chromosome, Kyoku also means Song, so a lot of play on words. I just thought it would be a good title so I had it saved for like ten years. The concept was really dealing with being human and overcoming trials and tribulations from the spiritual side.

    Musically, I wanted to keep it analog and organic as much as possible. I started out sampling sounds from my drummer Motoki and musicians around me to build the basic track. Then I got busy finding antique gear for mixing and adding EFX over the tracks. Dub music influenced me a lot over the years too.

    Making the whole album was very much like creating a feature film. Although it involves a lot less people, I feel the effect you can have on a listener is just as great because it asks for the visual imagination of the audience. The final phase of editing in Tokyo was so hardcore, I was holed up in a studio for two months. I don't think I can ever go through something that strenuous for a while. when I finished mastering, I joked around with my mates that I had PTSD (Pro Tools Stress Disorder), no disrespect. I did not want to look at waveforms for a while.


    KBD: You’ve mixed many different styles into your music, such as the Pink Floyd-ish "Shakunetsu," the reggae feeling in "Saikou," and the traditional Japanese flavor in "Kushi to Kanzashi." When writing a song do you already have in mind the beat and feel of how it will sound, or does the idea of the rhythm appear after the song has been scribed?

    S02: With an album like this one, the songs literally took a life on their own after a while. Or I allowed elements to brew on purpose, just for kicks. For example, after I finish the basic track and the rhyme, I would take a step back to see what would make it complete.

    Sometimes it took months, if not years, for the right concept or musician to come along and make it full. It was really about paying attention to the layering that would enhance the vibe the most.

    It's not the most efficient way to work, but I am glad I took the time for this particular album. Looking back I was too ambitious to involve so many live musicians, but being able to feature the talent was the reward that I was looking for.


    KBD: The two-part song "Bijou" tells a story of some kind with exciting speed and flow. However, as it is a story told in Japanese, the story is lost in the ears of the gaijin (foreigners). If you can, please describe the tale for the non-Japanese listeners.

    S02: OK :) The gist of the story is about the Hunter (Karma) meeting the Princess (Mei), by way of freeing this creature (Bijou) from a trap. By the end of the story (lol), he is involved in a war, risking his life to save the Princess, and he doesn't even know whether he trusts her or vice versa. At the same time, he subtly confesses to the audience that it was actually his trap that caught Bijou in the first place. The narrative also suggests that the creature may not have existed at all.

    So the story is really a tale about love, how we get entangled into relationships (AKA war between two nations) but it's really our own undoing in the first place. How educational. Anyways, writing the story was a lot of fun, I actually wrote the entire tale from the perspective of four characters, and I had to cut a lot of the narrative out while editing (a la movies) so I might have to retell the tale in different episodes.

    Also working with Kakushin Nishihara (biwa) and Philip Gelb (shakuhachi) for the intros and outros was so crucial to this play, it really wouldn't have happened without it.

    Kakushin's late teacher (Kinshi Tsuruta) was a collaborator of Toru Takeitmitsu for the epic "November Steps", which was a huge inspiration as well. Kakushin now has a biwa version of the whole tale, which is wonderful. I don't think an original biwa score has been written in a while, at least in this kind of production.


    KBD: Do you think that Japanese music has (or ever will) become popular in America as it has in many other different parts of the world? How is music able to break the language barrier so much easier than other forms of communication?

    S02: I think the good thing about the current technology is that if you're interested about anything, you can grab the information instantaneously. It's quite a luxury we take for granted.

    Even in my eyes Japanese music is often looked upon as extremes (pop or quirky), so I would like keep feeding the world of music that I think is universally interesting.


    KBD: Besides your hip-hop stuff, you are also involved with the futuristic jazz trio Kosmic Renaissance. How was this band formed, and how do you balance both styles of music? Do you feel that jazz and hip-hop still share a strong connection, or has this connection weakened as years passed?

    S02: The band was formed as a result of me carrying around the Faderboard and reaching out to musicians to spread the word. I have to credit Charles Brack for putting us together.

    Honestly I haven't really balanced my hip-hop style and the free jazz too much, I like to keep things separate somehow. I can envision rapping when I am old, and also playing Faderboard when I'm even older. (Maybe develop some crazy natural transforming.)

    My involvement with music comes in circles. When I started Kosmic Renaissance I was purely interested in sound, I had little inspiration to rap. Back then around 2003, with the global turmoil I had to go back to re-learning music because I actually felt I wasn't getting anywhere with words. I lost confidence in shooting blanks at the world, it was that deep. Now I feel I can relate to music in a positive light, so I am very grateful I'm able to continue doing it.


    KBD: Not only do you keep yourself active in the music world, but also in the activist world; most notably "Stop Rokkasho" (founded by Oscar-winning composer Ryuichi Sakamoto), which deals with the dangers of the recently-built Rokkasho Reprocessing Plant. How important is it to have a voice in a matter such as this (or for anything with a greater cause), and how did you find yourself becoming part of something that was crucial to the world?

    S02: It's extremely important, because the more you learn, the more you'll be conscious of your actions and how you can influence the world. You need knowledge in order to form an opinion, so you can speak on it at the least.

    The energy issue is really all about values at the end of the day, whether you choose to exploit natural resources at the expense of the environment and more
    immediately, health issues. People have a right to be alerted to the truth. I encourage people to look at both sides of the issue and not just listen to the benefits that corporations advertise. That's too easy.


    Shing02 - Nagusame


    KBD: It seems that a lot more people are listening to more hip-hop with a more peaceful, and hopeful image (i.e.: Flobots, Gnarls Barkley, and the Streets to name a few). Do you think the changing times (political, economical, environmental, etc…) have something to do with the rise of serene rap, or do you think that it is something else?

    S02: That's what everybody is saying, but times have been changing drastically every year. Music serves both as tools of education and entertainment. Some people are good at one thing, some are good at both.

    I have no knock on the current state of music. As long as the creators are responsible enough things are going to be alright.


    KBD: What’s the future hold for Shing02? Any touring plans that the American fans should look out for?

    S02: I really don't know what the future holds. I really don't make extended plans because the world is in a flux. It's more important to be available whenever the opportunities arise.

    Right now I'm in the works to make more stuff with talented people, and I just want to travel more!

    Please check my MySpace for tour and audio updates. (http://www.myspace.com/shing02)


    I would like to thank Shing02 for taking time off his schedule to answer these questions. His new album "Waikyoku" is available on iTunes, as well as his "iTunes Live From Tokyo" EP. I urge you all to check these out, as well as some of Shing02's earlier works!

    This is King Baby Duck: "Original organic till the day that I die!"


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    Finish what you start...

    Yeah, I Got A Synth In My Pocket

    posted @ 10/24/2008 05:39:00 PM by Ninjasistah
    NinJaSistah here, back from assignment [almost] and while I have still have some wounds mending, I do have some news out there for you portable gamers out there that happen to be musicians at the same time: KORG DS-10 starts shipping next month.

    Get your money ready.

    Now, I'm not a musician, I just play one in my living room [thanks Harmonix :)] but I do appreciate electronic hardware and software a great deal, so when I saw that youtube video of that Japanese DJ piecing together a track using the DS synth emulator I was taken aback.

    It really looks like the KORG hardware in software form. And while I can only follow along with the screens and info from the KORG DS site [click the image above] I can tell that this "game" was a labor of love. KORG DS-10 is a music creation program that isn't for the faint of heart. You should probably know exactly what is it is that you want to do or at least have an idea of where you want to get to before you pick up this title. All of the sound sources in the game come directly from KORG, and the DS’s touch-screen controls are great. There is no rewarding way to pull this kind of title off on any of the existing single screen portable game systems currently.

    KORG DS-10 is a 6-track/16-step sequencer and gives the user/player a ridiculous level of control over what he or she creates musically. It even has multilink capability to allow up to eight units can play together or to even exchange sounds and songs via wireless connection.

    KORG DS-10 will set you back about $39.99 and will get a hands-on review shortly.


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    The Return of DJ Petite

    posted @ 10/09/2008 01:22:00 PM by evermore
    The autumn of 2008 is going to be all about the new Rock Band and Guitar Hero games around the household of Ninjasistah -- anyone who has ever listened to a few ESH podcasts already knows that. But while she's banging away at her drums or shredding guitar, her mind is going to be on something else entirely.

    It's called "Scratch: The Ultimate DJ."

    Before she became an adult, the Ninja dreamed of the day she would become a real DJ, complete with turntables and stacks of vinyl. She often went to sleep at night imagining herself in a club scratching out hip-hop tunes for the masses.

    But the music industry went a different direction. The music suddenly became about spending money on golden neck apparel and fake teeth. It became all about champagne and Courvoisier. Artists from Atlanta took over and threw out all the DJ's.

    Even with these changes, she tried her hand at putting together some beats of her own using some new-fangled electronic tunes. Click here for a sample of a song she did under one of her other pseudonyms, DJ Petite.

    Now it looks like DJ Petite might be on the comeback trail with the announcement of Scratch: The Ultimate DJ, which is a DJ game in the realm of all of Ninjasistah's favorite music games, like Amplitude, Guitar Hero and Rock Band.

    Quincy Jones III is the musical consultant for the game, being produced by Genius Products, 7 Digital, QD3 and GenCo Media, and set for release next June. It will feature a DJ turntable-style controller and will be available for the Xbox 360 and the PS3.

    Need more info? Check out any of your favorite gaming sites out there. It's all over the place.

    It's going to be a long nine months.


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    Finish what you start...

    Panda's Food for thought.

    posted @ 10/07/2008 10:25:00 AM by Pandalicious
    Today is a pensive day in Panda's playground!

    While I sit here quite contented. This video came to me front and centered.
    Enjoy!


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    King Baby Duck's J-MUSIC Band of the Week: monobright

    posted @ 9/21/2008 04:03:00 PM by King Baby Duck

    The Duck hath returned with another great music act to look out for from the Land of the Rising Sun. This week we look at monobright!

    I was watching Space Shower TV (greatest music channel ever, by the way) while staying in Japan one July week in '07, and monobright's first mainstream single came onto the TV. It was called "Mikansei Riot" (or "Incomplete Riot"). For almost four minutes I was spellbound by the most original rock 'n' roll I had heard in years.

    monobright - Mikansei Riot


    The following Thursday I was in Shibuya, where I picked up the new single; as well as their indie EP "monobright zero." When I listened to both, my thoughts had been confirmed: monobright was going to be the next big thing in Japan, and possibly the world.

    Following "Mikansei Riot" came "Atama no Naka no SOS," a bit similar to the first single, but with more of a skip-down-the-street-happily feel to it. Then, their first major album "monobright one" was released a month after. The album mixed past rock, blues, and the current sound to make one solid CD.

    monobright - wARp


    In late-January came "wARP," a single that opened with something sounding like the classic Adam West "Batman" series; which brought a nostalgic sound into my ears. It was followed in May by monobright's next EP "Ano Toumei Kan to Shounen." That month also saw the band hit the UK for the first time, meeting success by both fans and critics. Whether or not monobright will hit the US anytime soon is anyone's guess; but let it be know that once they do it'll be hard to not notice this band.

    monobright - Ano Toumei Kan to Shounen


    monobright's music is not currently available in the US (or the rest of the world), but if you got money to spare I highly recommend importing their music through either CDJapan or HMV Japan. If demand is high enough, maybe a good-natured indie record company might pick them up (looking at you, Matador Records!).

    This is King Baby Duck: "Ain't born to lose, baby, I'm born to win. I'm so Goddamn slick, baby, it's a sin!"

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    King Baby Duck's J-MUSIC Band of the Week: Electric Eel Shock

    posted @ 9/08/2008 08:26:00 PM by King Baby Duck
    So many Japanese CDs to review, yet so many bands that are needed to be heard. Welcome to the first of a (hopefully) weekly look at Japanese music that truly matters. Today we look at Electric Eel Shock.

    I first heard of Electric Eel Shock while looking on the website of the popular South By Southwest (SXSW) festival in 2006. Each year I look on the site to see which bands from the Land of the Rising Sun will grace this spectacular event. That year, Electric Eel Shock would be playing there. The song they had listed for a free listen was the addictive "Scream For Me," from their 2005 album "Beat Me."

    Electric Eel Shock - "Scream For Me"


    Composed of Akihito Morimoto (vocals, guitar), Kazuto Maekawa (bass), and Gian (drums, cock sock), this Japanese heavy metal trio eats, breathes, sleeps, and bones pure heavy metal rock 'n' roll! Not only that, but their live shows are simply a marvel to watch. In June of 2006 they played a show in Cambridge, MA at the surely-to-be-famous-one-day Middle East. My cousin and I caught their show, and had the chance to meet the trio; who were the most down-to-earth guys I've ever had the pleasure of meeting. That night, in that tiny club, they played a show that was football stadium-worthy. I knew right then and there that Electric Eel Shock would be one of the biggest bands of all time.

    Electric Eel Shock - "Suicide Rock 'n' Roll"


    They have released four albums so far: "Slayers Bay Blues," "Go USA!" (or "Go Europe" in non-American countries), "Beat Me," and "Transworld Ultra Rock." Each album has been able to capture their live sound to a key, a feat that many bands have dreamed of doing. The mix of heavy metal, hard rock, and punk has also helped Electric Eel Shock with creating a distinct sound (meaning that when you hear one of their tracks out of the blue, you know it's them). They have also made fans of the likes of Ozzy Osbourne, Bloodhound Gang, Judas Priest, and the Presidents of the United States of America to name just a couple. Plus, this year, they were the fastest band ever to raise $50,000 to make their next album on the new site SellABand. Their fanbase is continuously growing, and soon not even the biggest rock festivals will be able to contain their sound. In short: Electric Eel Shock is one of the top bands that every person should turn their ears towards.

    This is the full show from the SellABand Festival. (Sadly, Gian has not been able to tour outside of Japan due to him taking care of his Mom; who is recovering from cancer. My thoughts, prayers, and wishes go out to his entire family; and I hope a speedy recovery comes soon for the mother of one of the world's greatest drummers!)


    This is King Baby Duck: Ain't born to lose, baby, I'm born to win! I'm so Goddamn slick, baby, it's a sin!

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    King Baby Duck's One-on-One: Louis XIV

    posted @ 8/12/2008 03:16:00 PM by King Baby Duck
    In March of 2005, a couple days after seeing the pillows live at the Knitting Factory in New York City, I went into Tower Records inside Trump Tower. The new Queens of the Stone Age album had just come out, and I went to purchase it. Sitting next to the new QOTSA album was an album from a band that I had (at the time) just recently heard of: "The Best Little Secrets Are Kept" by Louis XIV.

    I had only heard their song "Finding Out True Love is Blind" on the radio and in an EA Sports baseball game, but I was enchanted by its album cover: the song titles written on the back of a naked woman. I had to own it. The next night I took a listen, and I was enthralled by its power and sound. The era of Sex, Drugs, and Rock 'n' Roll had returned; and I was a happy little ducky. TBLSAK wound up being my favorite album of '05.

    This year Louis XIV's third album "Slick Dogs & Ponies" was released, and it has proven to be one of this year's best. I went and saw them play last Monday at the Middle East in Cambridge, Massachusetts, and they put on a show that was almost too good for words.

    I was originally going to interview the band, but by the time the show had ended my ride had arrived. I sent a letter of apology to guitarist/vocalist/pianist Brian Karscig, who told me to send him the questions; and then would proceed to email me back the answers.

    The following email interview contains 10 of my own questions, 6 from the fans taken from the band's forum, and one final question from me:

    King Baby Duck: Where did this asphyxiation for Louis XIV originate from? Why not another king?

    Brian Karscig: Well, we recorded our first self titled album (out of print now, but soon to be re-released) at a friend’s flat in the Latin Quarter of Paris in 2003. We were just ending a long relationship in another band, and went to Paris to get away and take advantage of a cool place to record and free place to stay.

    If our friend lived in England, we very well may have been Henry VIII.


    KBD: When you go into recording an album or a single, do you have a special routine that you do (like something that motivates you to create and record)?

    BK: There is no better feeling than completing a song, or any piece of art for that matter, and feeling good and confident about it...In fact, I think that is what has kept me a songwriter to this day, is chasing that feeling of accomplishment.

    Jason, Mark, and myself have been friends since grade school, and have been playing in bands together since then....We have an irreplaceable knack with working together, and all love making music.


    KBD: How was recording "Slick Dogs and Ponies" different from the process of making "The Best Little Secrets Are Kept"?

    BK: Well, it was a little more difficult. We went crazy trying to figure out what kind of album we wanted to make, and there were points of anxiety and self-consciousness...

    The one certainty we all agreed on is that we did not want to repeat ourselves and make the same album...


    Louis XIV - Guilt By Association


    KBD: Your band has some of the most unique album covers. Your first album had that sort of classic 1950s song-titles look, and then for both the "Illegal Tender" EP and "The Best Little Secrets Are Kept" you had the nude ladies (which fit the style of your music perfectly). For "Slick Dogs and Ponies" what made you want to return to the classic record look instead of the girls?

    BK: I think we wanted to go back to the beginning in some way. Try to not over think anything, and set out to just be artists again....That was our mentality when the group started, so we brought it back.

    KBD: One song in particular I’m interested in learning about is "Stalker." How was the song and its rhythm created, and is there a story behind the song?

    BK: Jason came to the studio one day with the b-minor descender part on the piano, and made a beat around the sound of a gun shot, a match being lit, and a clock. I thought it was the coolest thing ever, and we both came up with a story of a stalker, because the groove had an evil feel to it...We both went out on the mic and started just kind of vamping melodies and wrote the words around them.

    KBD: In "Sometimes You Just Want To" what is the meaning behind the lyrics "You used fucking as an adjective/But you can’t save time at a bank for kids"?

    BK: It’s about my girlfriend...She's the most lovely woman in the world, but loves the "F"-word to describe everything.

    KBD: In the song "Money Bunny" you say "Who wants true love when you can buy it temporarily." Do you truly believe in that? Why or why not?

    BK: Not really, it was sort of a double meaning and tongue and cheeky at the same time...The song was about women who love money, so it just seemed suiting, but at the same time, we wrote it shortly after the success of “Finding Out True Love is Blind.” I was ready to move on from just being the FOTLIB band, so "Who wants True Love when you can buy it temporarily" was also in some ways a statement about moving forward into the next phase of the bands identity.

    KBD: What has to be the worst show that you’ve ever played, and why?

    BK: That’s a toughy...Probably NYC black ball with David Bowie, and Alicia Keys...It was mind blowing being on that bill, and Tom Cruise and his wife were 5 feet from me in the front row...Weird? But they were super cool afterward.

    KBD: Recently, you lost a good friend: Natasha Shneider. On your website you talked about how "everyone whom she had contact with is better, different and changed." How did she do that, did she give any kind of advice to you that any one out there can follow?

    BK: I still haven't come to terms with her passing...She's hands down the most talented musician we've ever worked with, beautiful in mind and spirit. I’ve taken a lot away from the experience with working with her.

    KBD: What do you think of the state of American rock ‘n’ roll? Do you think it’s gotten better or worse in the past few years, in your honest opinion?

    BK: That's a tough question...I don't really like speaking negative about anyone’s music or politics for that matter, but I think that American music is becoming more homogenized...Everything is starting to sound the same, and it feels very forced and sterile.

    Bands that I listen to (i.e.: Led Zeppelin) used to make "albums,” and that’s what we like to try to achieve as LOUIS XIV, not just a "single" and 9 filler songs...which is what the state of the business seems to have become.


    Louis XIV - God Killed the Queen (from the album "The Best Little Secrets Are Kept")


    Now I would like to present to you the questions from the fans!

    Sans Nom: I always kind of wondered why they named their label The Pineapple Recording Group.

    BK: We all lived in a house many years ago, and when we built our first studio in there, there were these bronze etched Pineapples...So we just named ourselves Pineapple Recording Group.

    janna: What is their favorite city to perform in?

    BK: I love a lot...NYC, Berlin, Paris, London of course, but also some of the smaller ones Montreal, Tolouse, and Zurich.

    orangeblossom: Will Brian ever lose the beard?

    BK: I'm sure I will.

    samwise: I would like to know if they are planning to release another single from SDAP.

    BK: None planned.

    xxiolla: do they know about all the remixes that have been done to their songs and how do they like/feel about [them]?

    BK: I haven't heard them, but would love to hear them...

    Kat: Whatever happened to Dominique?

    BK: The world may never know...

    The final question:

    KBD: What is Louis XIV’s plan on taking over the music industry?

    BK: We will do what we've always done, and just make uncompromised music for ourselves, and keep challenging ourselves creatively, and hope our fans come along for the ride.

    Louis XIV - Air Traffic Control


    I would like to thank Brian for taking time out of his extremely busy schedule to answer these questions. My gratitude towards him and the rest of the bandmates is ever eternal. I would also like to thank the people on the Louis XIV Web Boards for their great questions.

    Louis XIV's "Slick Dogs and Ponies" is available in stores now. It's one of my top albums of 2008 to check out.

    This is King Baby Duck saying, "It takes a lover that knows I love her like no other."


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    Finish what you start...

    Randomness With Love from Panda

    posted @ 8/12/2008 09:26:00 AM by Pandalicious
    And Now for something completely different

    Don't think....just watch...


    You are welcome ~^
    Isn't the song Catchy?

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    Finish what you start...

    The Music Industry's Dirty Little Secret

    posted @ 6/23/2008 01:58:00 PM by evermore
    I became incensed earlier today when I read a headline from a music industry analyst that proclaimed that digital downloads have "killed music." Believe me, nothing could be farther from the truth.

    Just look at all those people carrying music players around. Ten years ago, before the first MP3 players hit, the only people carrying music around were kids with boomboxes -- and it wasn't likely anything you wanted to listen to.

    There's more music than ever before. But there is something that digital downloads did kill -- and it was the music industry's real cash cow.

    Digital downloads have killed the Greatest Hits album. That's where the music industry made a huge percentage of its money.

    To see this in action, just look at the career of The Doors. During lead singer Jim Morrison's lifetime, the group recorded solely for Elektra Records and created the following albums:

    The Doors

    Strange Days

    Waiting for the Sun

    The Soft Parade

    Morrison Hotel

    Absolutely Live

    L.A. Woman


    Seven albums. That, plus their first Greatest Hits album "13," released in 1970, were it. However, since Jim Morrison's death in 1971, Elektra and its decendents (now Warner Music) have released the following compilations:

    Weird Scenes Inside the Gold Mine (1972)

    The Best of The Doors (1973)

    The Doors Greatest Hits (1980)

    The Best of The Doors (1985)

    The Doors: Original Soundtrack Recording (1991)

    The Doors Greatest Hits (1996)

    Essential Rarities (1999)

    The Best of the Doors (2000)

    The Very Best of the Doors (2001)

    Legacy: The Absolute Best (2003)

    The Very Best of the Doors (2007)

    The Future Starts Here: The Essential Doors (2008)


    The Doors released only six studio albums, but their label has put out a whopping 13 compilations, repackaging the same songs that were on the original six. Note that they put out so many Greatest Hits sets that they ran out of names for them, repeating "The Doors Greatest Hits" and "The Very Best of The Doors" twice and "The Best of The Doors" three times.

    Now, mind you, that's 13 albums created and distributed after The Doors stopped recording with Jim Morrison in 1971.

    And that total doesn't even count the five box sets that have been released, including 1999's "The Complete Studio Recordings," which simply contains the six studio albums in one package.

    Every Greatest Hits album and set mentioned here has sold at least 100,000 copies. The 1980 version of "The Doors Greatest Hits" album alone sold 3 million copies.

    Why was the Greatest Hits album so important to the label? It costs them virtually nothing and brings in money by the truckloads.

    They don't pay the artist anything. The contracts of recording artists and groups usually contain a clause allowing the label to issue unlimited compilation albums of songs the artist did under contract. In fact, if you think you're doing the artist a favor by buying a Greatest Hits album, you're wrong. The artists usually doesn't get credit from the label for the Greatest Hits album sale. Their remuneration is based solely on the original album.

    It's "pre-sold." They don't have to try to get the band on Leno, Letterman or Conan. The songs are already a hit. Everyone knows them already.

    It's a perfect Christmas gift. Don't know what to get Johnny or Julie for a gift? You've seen them wear a Jim Morrison T-shirt -- get them a Doors album. This attitude has paid off like a slot machine for the labels since the LP album was first introduced.

    It's in a new format. The first greatest hits albums came out on vinyl, cassette, 8-track and open reel (you gotta be really old to know what "open reel" was). You needed a vinyl version for home, the 8-track version for your car and the cassette version for your Walkman. Then you threw all that away and got the Compact Disc version.

    The digital download kills all of these cash cows for the music industry. By being able to buy only the tracks you want, you don't need to buy a whole compilation to get the one or two songs you actually like. In fact, there's really no marketing per se for a single track at a label -- they already give away songs on the radio and videos on TV. The marketing department at a music label is there only to sell albums.

    Heck, before The Beatles came along, the only people who bought albums were fans of classical music and Broadway musical soundtracks. Then came the day in March 1964 when The Beatles had all the top 5 songs on the Hot 100 Singles list. It was on that day when it was actually cheaper to buy the top 5 on one album, rather than getting them on separate singles. Three years later, the album became an event with the release of "Sgt. Pepper's Lonely Hearts Club Band" by The Beatles.

    But in the last decade, the album has fallen on hard times. In the 1960s, bands put out two albums a year -- now it's hard to get an album every two years from a band like Coldplay. And sales have plummeted drastically. When it's easier for Neil Diamond to get a No. 1 album in the 21st Century than back in the 1960's, you know something is wrong with the whole system.

    To be honest with you, the best thing you, as a music consumer, could do would be to boycott the purchase of all music produced by the four major record labels. You would be doing the artist a favor. The way their contracts are written, they make virtually nothing from record sales. They make absolutely nothing from digital sales. The few artists who make decent coin from sales of recordings are already rich (Paul McCartney, Metallica, Madonna) or dead (Elvis, John Lennon) or both (Michael Jackson).

    You should feel sorry for those performers on American Idol -- especially the winners. They're locked into the Last Days of the Record Industry Empire, an empire that steals money from almost everybody and tries to throw the rest of us in jail.

    If you want to support musical artists, purchase a ticket to a concert, and buy a T-shirt and a couple of CD's while you're there. All of that money goes to the artist. Encourage your favorite band to write songs for commercials -- don't villify them for it. It's the only way to make money in the music business these days.

    Because the only thing deader than the Greatest Hits album is Jim Morrison.


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    Finish what you start...

    Pandalicious' Playlist [Favorite Anime Openers]

    posted @ 6/17/2008 11:08:00 AM by Pandalicious
    And Panda said onto thee, "Let there be Videos!"
    And there were
    And they were Totally PAWSOME!

    Good afternoon lovers of the sisters of ESH. I've finally decided to stop being a lazy anime that I thought was a bear but [to my surprise] is actually related to the racoon family! I digress so let me continue. I've decided that now it's time for my to share video's of my favorite Anime Openings. Sometimes when it comes down to the point where I may or may not give a favorable rating, I will turn to the music selection. Is this a hit or miss way to do it? You be the judge!

    The first one I have to put up for viewingis from the series I nicknamed the "Happy Slasher" Why? do you ask...well... here is the simple equation for that. Take MOE girls+ sadistic torture+ moments of utter paranoia and insanity divide that by the amount of times I had to pause the DVD and walk away x the nights that I couldn't sleep because I feared for my life!

    The series is called "Higurashi no Naku Koro ni" or in English "When They Cry" It is sung by Eiko Shimamiya. Now the first video I'm going to show is the opening for the anime, however the second video is Eiko's actual music video... Enjoy!



    Many people that I hold conversations with about this serious are surprised by how much I thought the opening was beautiful. I thought it was very upbeat...something may be wrong with me. XD

    Now look at the actual video...


    Yeah... I know...

    The second favorite opener for me comes from an anime called Paradise Kiss. Now I know you guys know I'm a person of the female variety, but what you may not know is I'm a clothes horse [That's right I admit it!] So this opening kinda makes me want to walk down a runway which is why I like it so much... The song is called "Lonely In Gorgeous" and it sung by Tomoko Kawase who [if you guys heed the words of KBD]is also known as Tommy February6



    Now for a little twist...Here is the actual video for the song.


    I know what you are thinking and sadly the only thing I can think to say is....
    XD

    The third in my list is from Full Metal Alchemist. It is the 4th Opening to the series. It is called Rewrite and it's done by Asian KungFu Generation. If you aren't a fan of these guys then we can no longer be friends. That's all I have to say to you. Go fix it...Now!



    Here is what the band actually looks like when they rock their faces off. [In my opinion, I think they are hot... but thats me...]



    My next favorite is the second opening for Bleach. [Yes I was a bleach lover for quite sometime!] The song is called UVERworld and it is done by a band calling themselves D-technolife
    For hardcore fans I'm sure you already know the leetness but don't ruin it for everyone else.



    And now for the uberness that is D-technolife


    So there are some of my favorites! Granted I have loads more and I do plan to share them with you as time goes on! Do you have a favorite that you think I would love better than the ones I showcased...well then tell my about them, Hell Show me instead [I <3 visuals]
    Keep a look out for my Playlist for anime Closers!
    Ja Ne!


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    A Rant from King Baby Duck: JapanFiles Takes On LiveJournal Music Sharing Communities

    posted @ 6/15/2008 10:28:00 AM by FreeLoader

    My friends over at JapanFiles asked me to spread the word about this article, and I think it's good to read about it:

    JapanFiles Takes On LiveJournal

    (CLICK "DIGG" after the 2nd paragraph, too.)

    One might think that they are going after EVERY Japanese song and album that is out there to download, and that is untrue. They are just going after the music they they contractually sell on their website. Although some people might find that unfair, it's far much better to buy an artist's album on there rather than spend $30 to import the CD. Granted, some people like the feel of holding a CD case, but I digress.

    JapanFiles is not trying to hog all the music for themselves. In reality they are trying to keep the J-POP industry in America from going under (like what is currently happening in the US anime industry). I believe that if more companies like JapanFiles and HearJapan pop up and sell Japanese music at a very good price, then the J-POP world of America would not only be safe, but also flourish.

    When it comes to the other music, I feel that some of these communities do what the actual Japanese labels aren't doing; and that is promoting music to the non-Japanese audience. For example: Gackt's entire discography is now up on iTunes, but other than a tiny blip about it on JaME there was no promotion whatsoever. Not even iTunes themselves did anything. Many other Japanese bands are on these sites, but again no one but the bands themselves are saying anything about them. On the other hand, when JapanFiles signs an artist they make it their mission online to make sure that the people in the music community knows about it.

    One big problem with Japanese record companies is that they are stubborn. They fear that if they try to work with a company like JapanFiles, that their music won't get out there and make the profits they want. I feel that this is closed-minded thinking that needs to stop! Although sites like JapanFiles and HearJapan are independent companies, they work their asses off to make sure their artists are heard. Not only that, but they also bring these artists to America at anime conventions and music festivals: something that only a tiny fraction of big-named music companies do.

    That's why I say it's time for a change. IT IS TIME FOR A J-VOLUTION!!!

    In order for this to happen, I ask you all to try and do the following three things:

    1. Call up your local radio stations, and start requesting these bands that you know and love. Once they know that there is a big-enough fanbase for this type of music, they will start to play them.
    2. Write to the record labels in Japan, and let them know that they want to hear more artists over here in America. By demanding these artists, the labels will start supplying them.
    3. Write to your favorite bands, and let them know you are listening. It would help more if you had someone translate it in Japanese; but even if you can't find someone to do it, just send it anyway. They'll still think it's cool that their music is being heard besides in Japan.

    I know that some of the stuff I say may look silly, but it's better than doing nothing!

    I have said my piece. Now it's your turn. Get out there, and support these artists like your life depends it!

    Thank you!

    This is King Baby Duck saying, "If it ain't made in Japan, it's usually crap!"


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    Funny Time with Panda

    posted @ 4/29/2008 09:16:00 AM by Pandalicious
    Panda...I'm a panda bear and I laugh laugh laugh and I laugh laugh laugh....

    Hello All! Panda here...and while I sit at ESH U [LOL I gave ESH land a university!] I thought I would share with you guys some groundbreaking provocative and above all else innovative movements in commedy...

    Yeah Right! This is just funny and thats why I'm showing it to you guys!
    Enjoy!


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    Parody Is Beautiful

    posted @ 4/09/2008 10:57:00 PM by Ninjasistah
    Bob Dylan: He's crazy prolific man! Did you know that he wrote every popular song ever released? I know I didn't.

    Turns out that he did, and here's a video to prove it:


    At least he's not responsible for WannaBe

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    Record Stores Going Away? Good Riddance

    posted @ 4/03/2008 11:16:00 AM by evermore
    Word came out yesterday that the Apple Store has passed Wal-Mart as the top music retailer in the U.S. And it wasn't even close. In January, the Apple Store sold 19 percent, compared with Wal-Mart's 15 percent.

    As I see it, this ends the dominance of the physical music format. From Edison's cylinders to 78 RPM wax platters to vinyl to 8 tracks to cassettes to compact discs, music got successively more portable until the physical media went away. Now the physical stores are going away as well.

    And I couldn't be happier.

    Sure, I used to love record stores. As a kid, I had always shopped the record bins in supermarkets, drug stores and dime stores. But when I went to college in the mid-1970s, I discovered standalone record stores. My favorite was a place called Discount Records, a narrow store that had long aisles of U.S. and import records, along with free copies of music and humor magazines they couldn't sell.

    The great part about Discount Records was, of course, the discounts. At the time, vinyl albums went for $5.99 apiece, but at Discount Records, new releases went for only $3.99. It was like hitting a treasure trove.

    A few years later, the megastore came along. The first one in my city was Peaches, an Atlanta-based retailer. They opened an unbelievably large place, with giant hand-painted album covers displayed on the walls outside (if you've ever seen the movie Xanadu, you'll know what I mean).

    Peaches had everything -- in huge quantity. The classical music room was separate, with its own door to keep rock from mixing with Rachmaninoff. One day they installed a big-screen projection TV and I saw my first music video: Meatloaf's "Paradise by the Dashboard Light." Unfortunately, Peaches put the little guys at Discount Records out of business.

    The mall stores hung on by moving quickly to CDs after the format was introduced in the early '80s. Since they didn't have much space (certainly not as much as Peaches), the CD format was a godsend.

    I wasn't a big fan of the CD, however. I stuck with vinyl until it gave out in 1989, and after that, moved to cassettes until the artists I was interested in moved completely to CD.

    The record companies cleaned up on CDs. They were perceived as a "superior" format and priced accordingly. The problem was that the prices never really went down. Music that I purchased at Discount Records for $3.99 in 1975 was getting $19.99 in CD format. That's a 5X increase within about 15 years. I no longer had the cash reserves necessary to replenish my vinyl/cassette collection with the new-fangled CDs, so, as did most people of my generation, I just gave up on buying music.

    The record stores didn't notice I was MIA. In fact, they seemed glad to get rid of me. Buying music at a record store was a terrible experience. The joke at the time was that the record store employees thought they were the rock stars.

    I learned not to ask questions in a record store. They always seemed miffed that someone my age could actually require assistance. I wasn't someone they could try to impress. And they didn't have a clue as to why I could be interested in someone named Jethro Tull.

    Actual conversation:

    Salesboy: "I don't know who he is."

    Me: "Who?"

    Salesboy: "Jethro Tull."

    Me: "He's not a he, he's an it."

    Salesboy: "Who?"

    Me: "Jethro Tull. It's a band, not a person."

    Salesboy: "Like Van Halen?"

    Me: "No. Van Halen's a he and an it."

    Salesboy: "Huh?"

    Me: "Van Halen's the last name of a couple of guys in the band and the name of the band."

    Salesboy: "Like Camper Van Beethoven?"

    Me: "Oh, forget it."

    They were too busy selling CDs to the kiddies. So when the kids got on their computers and discovered Napster, the record labels lost them, too.

    Now the record stores in the malls -- if you can still find an FYE, that is -- are all empty. Maybe there's someone looking at a DVD in the bargain rack, but nobody's there poring over the music. The CD aisles at Best Buy are barren. Same at Target and Borders and Barnes & Noble. At Circuit City... well, does anybody shop at Circuit City anymore?

    At Wal-Mart, people still go in, finding sanitized versions of music they heard on a commercial or something. And even Wal-Mart's tiring of that business. For years Wal-Mart has directed the record labels to reduce the price of their CDs. And if the labels don't comply? Well, Wal-Mart infers that one of these days it just might go out of the CD-selling business entirely.

    And if Wal-Mart goes, there goes the whole business of selling physical discs. The music labels surely can see the writing on the wall. It would be in their best interests to convert to companies similar in nature to BMI and ASCAP. Those companies control the publishing rights to music. The four music labels should convert to companies that control the performance rights to recorded music.

    When that happens, there will be no need to keep the RIAA in business, so the lawsuits against stay-at-home-moms and college students will end. The giant corporations will spin off the record labels into tiny holding companies who will likely make deals with content amalgamators like Apple, the phone companies, the cable companies and the networks to distribute large chunks of their music catalogs for a fee.

    And in 20 years, some kid will be asking why you have a closet full of little silver Frisbees.


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    Phiaton Primal Series

    posted @ 3/23/2008 06:51:00 PM by FreeLoader
    Ok, I know what you are thinking. Here comes another startup company touting yet another ipod related set of products. The slick hand stitching and custom leather look of Phiaton's [Fee ah ton] Primal Series headphones certainly fits the bill of a company attempting to ride Apple's coat tails to the top of the personal music market.

    Upon first look thats exactly what crossed my mind too. But these products boats quite a pedigree. They are made by a company called Cresyn, a Korean company that has made components for Sony, Audio Technica, Kenwood, and many others since 1957. So you have probably already been listening to their merchandise for some time.

    The PS-500 series is the performance focused model of the line. These full sized head huggers claim a frequency range of 5hz-30,000hz reaching well above and below what our feeble human ears can identify (perfect human hearing covers from 20hz-20,000hz). You won't catch me complaining about super deep bass response or crystal clear high end. Plus they sport a high level of sensitivity and a huge amount of power handling. In short these things will rock your dome with the lowest lows and highest highs your ears can take before ever coming close to their point of distortion.

    For you technological ninjas out there in need of something a bit stealthier, the Primal series offers up their PS 200 in-ear headphones. These lightweights still hit like their big brothers with a range of 8hz- 30,000 hz. They accomplish this impressive statistic by using a tiny woofer and tweeter just like your regular speakers, only these are sealed to your earholes with airtight memory foam tips. The in ear design also offers isolation from whatever's bugging you. Long flights, noisy metro cars or just the creepy guy who won't stop talking to you on the bus. Add to that their distinctive design and you've got a real crowd pleaser.

    In ear headphones aren't for everyone though. For those of us who find them annoying but still need some isolation the PS 300 NC offer the perfect solution. Their active noise canceling system uses a custom designed “lithium-polymer” battery to provide 20 hours of uninterrupted listening.. Although I hope for your sake you'll give your ears a break and not test that claim. These are ready to travel with you with extension cables, four adaptors to recharge wherever you're stuck, and an extra battery all in a carrying case.

    Posted By FreeLoader: Cmarks

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    A Rant from KBD: Gwen Stefani Pisses Me Off!

    posted @ 3/20/2008 04:30:00 PM by FreeLoader
    I've posted this in another forum, but I felt that my brothers and sistahs here can vent about this, too.

    Gwen Stefani is a Tomoko Kawase wannabe. That's right, I said it.

    Like Tomoko, Gwen was the lead vocalist of a successful rock band (Tomoko with the brilliant green, Gwen with No Doubt). They then both went for a more poppy solo career (with Tomoko donning the aliases Tommy february6 & Tommy heavenly6). Both had found success, but only one managed to get the job done right; and that's Tomoko.

    The reason why it works better with Tomoko is because when she does her new thing, she doesn't leave her brilliant green fans in the dust. Her music mixes '80's European-styled pop with the indie rock that made her famous. And because of that mix she creates an original sound that captures the personality of her stage characters. She may not be the bad girl that she portrays on stage in real life, but at least people know it's just a character.

    Gwen, on the other hand, just does pop for the sake of pop; and because of that she sounds like every other American pop singer. And whoever told her to remix "The Lonely Goatherd" into her song should never be allowed to work in the music business ever again!!! Also, notice that those Harujuku Girls that surround her are Japanese; and wearing what seems to be cloned clothes that not only Tomoko wears, but also other J-POP singers like Ayumi Hamasaki, Bonnie Pink, and Puffy. She's blatantly ripping off J-POP!!!

    Gwen, I'm sorry; but you'll never be a J-POP singer. You're just a white girl from California who grew up listening to early grunge and punk. I read that you are working on a new No Doubt album. That's good. Go back to doing what you know best: rockin' out! Then we will forgive you for this little pop experiment of yours.What I'm trying to say here is leave the J-POP sound to the J-POP singers. American musicians can learn from them; but just copying their style and foregoing their own will just lead to disaster.

    This is King Baby Duck saying "If it ain't made in Japan, it's usually crap!"

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    Bring Tha Noize!

    posted @ 10/23/2007 10:15:00 PM by Ninjasistah
    icon Guess what!?

    iTunes now has the Guitar Hero video game soundtracks available for purchase. Want to prove that you have the metal? Well pedal your little buttocks over to the iTunes store and grab some of those few tracks that you don't already own in your massive music collection. Click on the image to go right to the GH3 page in the iTunes store.

    Seriously. Originally, they only had just the WaveSound Studio three volume collection of recordings for the game... but now they have actually gathered up all of the tracks featured in all of the GHgames [including the 80's one] as performed by the original artist.

    Gift cards and credit cards at the ready folks. GH3 is upon us all!

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    DJ Cheap Azz

    posted @ 10/16/2007 02:07:00 PM by Ninjasistah
    Ok, what happens when you have a desire to be mixmaster mike, but the budget of a college student?

    Well, you take your lappie, get your hands on an optical mouse, then score a copy of Xylio's Future Decks Lite, and a left over pizza box and you too can digitally scratch like the pros!

    I give you, DJ Digiorno

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    Bully II: When You Lose, You Really Lose

    posted @ 10/10/2007 09:56:00 AM by evermore
    Rockstar Games has announced its follow-up to last year's Bully, called Bully II: RIAA Edition. Unlike the original, the new game has a single bad guy: the Record Industry Association of America.

    In the game, the player portrays one of many real-life victims of the RIAA: a single mother, an 83-year-old grandmother and an 11-year-old grade school student, among others.

    The player must fight against self-serving politicians, befuddled judges and vicious lawyers as they travel from level to level up the chain, until they face the most devasting adversary of all, the mammoth, snarling, four-headed RIAA Monster.

    The Deluxe version of the game comes with a first-generation Microsoft Zune with 24 tracks of low bitrate versions of songs obtained from Kazaa and other music sharing websites.

    The game itself is free, but you will be charged $222,000 if you lose the final battle with the RIAA.


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    Renji Can't Sing, but Zaraki and Grimmjow Can

    posted @ 7/28/2007 07:55:00 PM by MagicMystic
    In my opinion consumerism in Japan is much more prolific and ridiculous than here in the US. I've never seen a TV show title in the US come out with figurines, trading cards, posters, games, manga, novels, multiple soundtracks, radio shows, drama CDs, events, movies and a rock musical as well as all the toys, key chains, plushies, messenger bags and other innumerable items of merchandise. Part of me laughs at the silly consumerist Japanese otaku and part of me burns with massive amounts of jealousy and greed for all the cool items that will never traverse the ocean into my hot grasping little hands.

    So imagine my shock and delight when I found a way to get my hands on the Bleach Soundtracks and Bleach Beat Collection.

    I immediately jumped on the chance like a starving fat kid jumps on cake. The soundtracks were as cool as expected, loaded with all the awesome background music throughout Bleach as well as some of the openings and endings. But what really caught my attention were the Beat Collections.



    Now for those of you who've never heard of the Bleach Beat Collections, they aren't the typical soundtracks you'd expect. They are very short, containing at most 5 or 6 songs each and they are each named after a character or group of characters. In order to further complicate things they come in ‘Sessions’ of 5. For example: you have Bleach Beat Collection 1: Ichigo Kurosaki through Bleach Beat Collection 5: Ichimaru Gin and then starts Bleach Beat Collection Second Session 1: Ichigo Kurosaki and Zangetsu. They are coming out with more as new characters appear and the story moves on. Bleach Beat Collection Third Session 3: Sousuke Aizen will be released on August 1st in Japan. Currently I've gotten 12 of them for about 4 hours of listening.

    At first I wasn't sure if the collections were concept songs for the characters, music inspired by the characters or music that the characters would likely listen to. After listening for a bit, I realized that the true answer wasn’t any of the above. The songs were actually sung by the Seiyū (voice actors) of the characters. So as I listened to Renji, Zangetsu and Ulquiorra belting out the lyrics I really got into it. Unfortunately with my limited Japanese I would be thrown out of enjoying the music whenever I heard a word I recognized/understood such as shinigami, quincy, nakama, sensei or a character's name. In my experience it's better to listen and either understand all of it or none of it, and whatever you do never ever chase down a translated version. Poor Rammstein has been bastardized beyond recognition every time someone gets the "brilliant" idea to translate it.

    Collection 1: Ichigo Kurosaki- Of all the voice actors Masakazu Morita got to sing the most songs, but I don’t know if he should have been allowed to. He picked up a song on the Uryu disk and dominated the Ichigo/Zangetsu disk as well. He wasn’t anywhere near the best singer of the group, but at least he wasn’t the worst. The biggest issue I had with his singing is that he seemed to use only his own voice and rarely sounded at all like Ichigo. Many of the other Seiyu managed to stay at least partially, if not entirely within character. Since poor Mochizuki Hisayo managed to sing without once loosing the Yachiru voice I’d think keeping Ichigo’s voice going wouldn’t be that much of a problem.

    Collection 2: Renji Abarai- As much as I love Renji (Kentaro Ito) and his funny eyebrow tatts, the boy can’t sing. His voice is far too rough and throaty which forced him to sing the angriest sounding songs of any in the collection. He couldn’t harmonize at all and ended up chanting or growling most of the words rather than keeping any sort of harmony with the song. Yet somehow, he was also the only one who was nearly drowned out by heavy background vocals.



    Collection 3: Uryuu Ishida – Ishida’s (Noriaki Sugiyama) songs were some of my favorites. One had heavy techno beats and was saturated with synthesizer effects; another was slower and backed by guitar. Surprisingly I can easily imagine Ishida having a wild side and regularly appearing as a Techno DJ at raves. He has that slick cool factor that I’d think would be oh so important to DJs. His voice is just the same as his image. It was smooth and flowed nicely. Noriaki was able to keep nicely within Uryu’s range and made him seem more awesome and appealing than I ever found him in the series.

    Collection 4: Hanataro Yamada and Kon – A selection of ridiculously upbeat and potentially silly songs with titles like Shimpainai Oneesan (Worry-free Big Sis) and Lions Never Surrender. I didn’t think it was possible but Hanataro (Kouki Miyata) sounds even younger and Kon (Mitsuaki Madono) sounds like he’s whining even more than usual. It was very difficult to listen to them singing together and not smile, imagining them fighting over the microphone. Well, more like Hanataro holding the mike and getting beaten by Kon for possession of it. Lions Never Surrender was sung by Mitsuaki Madono without using his Kon voice and it sounded alright, but I couldn’t take it seriously imagining the wussy little stuffed lion acting all serious to sing it.

    Collection 5: Gin Ichimaru – Although Koji Yusa doesn’t have one of the more recognizable voices in the series, he is an impressive singer. Not much of Gin’s personality comes through the songs but if you think about it not much of his personality has been shown in the story. These songs are less like a cool Bleach special and more like stand alone songs that are cool in their own right. Several of the other songs I like, I may only have feelings for because they are sung by Bleach characters. I don’t feel that these songs have any of those connotations. If I didn’t know that it was sung by the voice actor of Ichimaru Gin, I would never recognize his voice.

    Second Session 1: Ichigo Kurosaki and Zangetsu – Zangetsu (Takayuki Sugo) was the dark horse of the group. I was tempted to not even listen to his songs because I couldn’t imagine them being anything spectacular. The rock/techno styles I’d heard so far wouldn’t fit with his voice and I wasn’t about to submit myself to something that was painful to listen to. In his solo song Rain, I was pleasantly surprised to hear his deep voice crooning in my ear like a sensual lover. I actually got the shivers at one point, apparently I have a thing for guys with low voices. The other songs Sky High and Zan returned to a fast moving style and didn’t really utilize Zangetsu/Takayuki’s voice as anything other than the occasional backup.



    Second Session 2: Toshiro Hitsugaya, Rangiku Matsumoto and Momo Hinamori – The moment Toshiro started singing it was really obvious that he was a she. Regardless of how great a voice actress Romi Paku is, she couldn’t make her voice sound like a boy while she sang, which was a bit of a shame, but there’s only so much human voices can do. Another bit of a let down was the lack of compilation songs. Each character/voice actor had a song, but there wasn’t a single song done together. Hinamori’s (Kumi Sakuma) song was cute and innocent and Matsumoto’s (Kaya Matsutani) was breathy and sensual as could be predicted, neither was anything super amazing.

    Second Session 3: Zaraki Kenpachi, Yachiru Kusajishi, Ikkaku Madarame and Yamichika Ayasegawa – When ‘We’ started playing I had a very strong vision hit me. I had intruded upon a clandestine meeting of the 11th Squad. I had walked in on them having a sleepover, Yumichika was giving Kenpachi a make-over (he had a mud mask on and curlers in) and Yachiru had put a long blonde wig on Ikkaku and was braiding his hair. This scene hit me so vividly that I started laughing hard enough that I had trouble breathing and ended up missing most of the song. I had to restart it to listen to it. ‘We’ had a tune that no Squad 11 member would be caught dead listening to and they definitely would never have sung along so cheerfully together. Visions of them skipping along arm in arm or sitting together singing Kum Ba Yah pervaded my thoughts every time I tried to listen to it. I mean where else will you hear Kenpachi say things like “Come on, Come on Yeah Yeah Yeah Baby.” Luckily for my aching gut Yachiru was the only one singing ‘Funny Days’ and ‘COME to LIKE it. This FIGHT Now.’ was much more in the spirit of 11.

    Second Session 4: Jin Kariya, Ririn, Claude, Nova – I wouldn’t know Nova’s talking or singing voice even if Tomokazu Sugita walked up to me and gave a full introduction of himself before he started singing. Mostly they didn’t try to adjust his character to make him sing, he just added a few words here and there as backup, while Claude (Nobuo Tobita) more energetically backed Ririn (Yumi Kakazu) up. However he did have to sing a few verses of ‘Faiteingusouru.’ It made me wish he talked more. He’s got a great voice. Another thing I was a bit wary of was that they’d try to trade on the hokey and stereotypical ‘vampire’ music for Kariya’s (Toru Ohkawa) songs. I didn’t need to be concerned. The songs were all upbeat, which was almost worse to hear Kariya sing than some Japanese version of Thriller.

    Second Session 5: Rukia Kuchiki and Orihime Inoue – Seeing as most of the other songs are sung by men I thought I’d enjoy this collection more. It’s not that I don’t like the songs Rukia (Fumiko Orikasa) and Orihime (Yuki Matsuoka) sing, but I don’t particularly love them either. Rukia has a surprisingly mature singing voice. She sounds much older when she sings. ‘Wind’, ‘La La La’ and ‘Holy Fight’ are some of the most melodic songs from any of the collections and they were pretty enough, but I had some problems with each song. ‘Holy Fight’ should be renamed ‘Holly Fight’ because you can hear what sounds like Christmas bells constantly ringing in the background. ‘La La La’, I mean the title tells you everything. The lyrics and even the title of the song were repetitive and unimaginative; I don’t need to know Japanese to know La La La is a pathetic attempt at filling dead air.



    Third Session 1: Ulquiorra Schiffer – Unfortunately it seems that every Session that comes out has fewer and fewer songs. Ulquiorra (Namikawa Daisuke) only had 2 songs and a Voice Message. Not understanding more than a few words of Japanese hindered my understanding of the voice message, but it seemed to be a general shout out to fans and a bit of discussion about the character. It was really interesting to hear him switching between his normal voice and his Ulquiorra voice

    Third Session 2: Grimmjow Jaegerjaques – Just like Ulquirra, Grimmjow only got 2 songs and a shout out. I was expecting angsty angry teenager type music from Suwabe Junichi but was a little disappointed to get something considerably more upbeat. I will readily admit that I love emo teenager music. Despite my initial misgivings I ended up really enjoying both of Grimmjow’s songs.

    Now I’ve said again and again that I have no idea what the lyrics are and I haven’t a clue what everybody was singing about. So, when I say a song is upbeat I’m generally guessing about the song from the tone of voice and the sound of the music. So, if someone is really singing about kicking puppies and stealing candy from children please don’t assume that I think that is an upbeat and happy image.

    There are 56 songs in total and I think that there is probably something for everyone, or at least all Bleach fans. Interestingly enough I’ve noticed that most Bleach fans are into ‘The Rocks’ just like me. They seem to enjoy Alternative Rock, Pop Rock, Hard Rock, Soft Rock, Classic Rock, Emo Rock.. etc. Most of the songs can be classified as rock of one sort or another and there is enough of a variety that you’ll be sure to find at least one song you like or even love.

    My Favorite Songs-
    Aesthetics and Identity - Collection 3: Uryu Ishida
    BrEaK - Third Session 2: Grimmjow JaegerJaques
    GAME!GAME!GAME! - Second Session 4: Jin Kariya, Ririn, Claude, Nova
    Hyo-ri [Two Sides] - Collection 5: Gin Ichimaru
    My Blade, As My Pride - Collection 1: Ichigo Kurosaki
    Quincy no Hokori ni Kakete - Collection 3: Uryu Ishida
    RAIN - Second Session 1: Ichigo Kurosaki and Zangetsu
    Sekai wa Sude ni Azamuki no Ue no [The World Has Already Been Decieved] - Collection 5: Gin Ichimaru
    Shimpainai Oneesan [Worry-free Big Sis] - Collection 4: Hanataro Yamada and Kon
    Suigintou no Yoru - Collection 3: Uryu Ishida
    We - Second Session 3: Zaraki Kenpachi, Yachiru Kusajishi, Ikkaku Madarame and Yamichika Ayasegawa

    So all in all I highly suggest you pick up at least a few of these collections.

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    Finish what you start...

    UMG Cuts Off Nose, Face Feels Spited

    posted @ 7/09/2007 12:40:00 PM by evermore
    What are the three most important things in retail sales? Location, location, location. That is, unless you're Universal Music Group.

    UMG announced this week that some artists it currently promotes will be denied availability on iTunes. Supposedly, this is to punish Apple for making iTunes the overwhelming No. 1 way to buy music online.

    So who will it be, Universal? Will you ban the Black Eyed Peas from iTunes? I saw Diana Krall perform in Vegas last month. Will her records be stricken from the iTunes library? Or how about the Pussycat Dolls? Maybe you should forget about putting those girls on your iPod.

    Will George Strait find himself straight out of the iTunes library? Or Dr. Dre, Snoop Dogg and Eminem? Could be Eve or Gwen Stefani or Melissa Etheridge or Mariah Carey or Sheryl Crow or Shania Twain or Reba McEntire? I'd suggest Universal refrain from keeping Reba off of iTunes. She's from a rodeo family. She could beat them up.

    I saw Erykah Badu in 2004 at Ryman Auditorium in Nashville. Surely they wouldn't strike her from iTunes. Or bands like blink-182, Bon Jovi, Fall Out Boy, Godsmack, Hoobastank, The Killers, 3 Doors Down and Weezer. No iPod access for you while you're available only in Windows format.

    Ashlee Simpson! She's a UMG act! Please say it's Ashlee Simpson that you're keeping out of iTunes!

    But as for Stevie Wonder, Sting, Elton John, The Cardigans and Wolfmother, UMG could seriously damage their careers by keeping them out of an iPhone.

    UMG might as well go and tell Best Buy to shove it. Or maybe they should start making music discs that are playable only in a Sony PSP.

    That angry noise you hear in the background is UMG's face as the company takes a knife to its own nose.


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    Finish what you start...